As with many short stories, Raymond Carver’s “Cathedral” only has a few pages to develop his main character and create a scenario he or she must learn from or achieve something from or change because of. In such a short amount of space, word choice is integral in constructing a solid impression of the characters and their personalities in the reader’s mind. Carver’s simple use of language and sentence structure combined with his choice for point of view creates an intriguing tone and believable character interaction.
This story, written as the thoughts of the narrator, is about an old blind friend of his wife’s coming to visit for the first time. The story focuses on the
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“I’m saying that at the end of the summer she let the blind man run his hands over her face, said goodbye to him married her childhood etc., who was now a commissioned officer…”(218). Every time this officer that is his wife’s first husband comes up in the story, the narrator moves on to other subjects quickly. This reveals a jealousy in him that is not plainly written in the story. It allows the reader to learn about the narrator as he sets up the story. Because of this set up, the reader is able to expect and easily see the narrator’s jealousy as he is later introduced to the blind man. He also omits names. The reader never learns the names of the narrator or his wife, though she is frequently involved in the story. This allows the reader to focus on essential characteristics of the character. The wife is merely the wife. The blind man is blind.
Choice of point of view can change the tone and entire meaning gained from a story. The tone of this story would have been much different if it were written from the wife’s point of view. She would not have been seen as the static nagging wife stereotype, the husband himself would have probably be viewed as unsupportive and a slacker, and the reader would have gained a better understanding of who this blind man was. However, for the sake of the story, the importance of the blind man is that he is blind. This is what is important to the narrator and this is what the
Sometimes we have to look beyond what we see on the outside to understand something more deeply. In the short story Cathedral By Raymond Carver, the narrator has an attitude of being selfish, and jealous through the story. The narrator’s wife invites a blind man, Robert, to come stay in their house for a short time while the man visits family members of his own wife who recently passed. The narrator is not enthusiastic because blind people make the narrator uncomfortable, mainly because the narrator has no real experience with the blind. In addition, to his uneasiness with the blind the narrator is uncomfortable with the relationship his wife and the blind man have. The wife and Robert, the blind man, have maintained a close
Raymond Carver’s “Cathedral” is a short story about a blind man who stays with the narrator and his wife, and the personal growth of the narrator that takes place throughout the night. The story opens at the home of the narrator and his wife as the blind man, who is an old friend of the wife, is on his way to visit his recently deceased wife’s relatives. Conflict in the story stems from the narrators apparent distaste for blind people and him not wanting a bind person to stay in their home. Throughout the night the wife and blind man discuss their lives and chat politely while the narrator feels increasingly uncomfortable and left-out in his struggle to communicate with a man who has no sight. After an awkward dinner, the wife goes upstairs leaving the blind man and the narrator alone. After a few awkward
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
The second thing that makes the theme or message come out is the characterization in the story. In Cathedral, there are three main characters. The most important character in the story is Robert, the blind friend of the wife's. Unlike the narrator, Robert cannot physically see, but has a clear vision of appreciating the person's true inner self. For example, when the narrator cannot comprehend how Robert's wife even loved Robert. He says,
"It was beyond my understanding. Hearing this, I felt sorry for the blind man for a little bit. And then I found myself thinking what a pitiful life this woman must have led. Imagine a woman who could never see herself as she was seen in the eyes of her loved one. A woman who could go on day after day and never receive the smallest compliment
The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never
It is unclear whether or not the husband’s dislike for the blind man is fueled by jealousy or by ignorance. It is clear that the husband’s idea of what the company of a blind man would be like is very stereotypical because he bases his opinion on what he has seen in the movies, “In the movies, the blind moved slowly and never laughed.” (Carver 473). The husband bases his judgment from movies and decides, “A blind man in my house was not something I was looking forward to.” (Carver 473).
The narrator in “The Cathedral” begins the story with the issue of hesitation in seeing the light. The light in this story just like the light in Plato’s “Myth of the Cave” represents reality. The narrator expresses the fear of expressing reality when he said “ I wasn’t
Throughout the middle of the story, the narrator is discriminatory towards blind people but suddenly feels the need to make Robert feel comfortable just because it will please his wife. The narrator and his wife were in the kitchen talking, and then the wife says “If you love me, you can do this for me. If you don’t love me, okay. But if you have a friend, any friend, and the friend came to visit, I’d make him feel comfortable” (116). To show that her husband is still prejudice towards blind people, he replies and says “I don’t have any blind friends” (116) which gets his wife upset because Robert is her friend. When the narrator says that he does not have any
Lacking the words to describe the cathedral, “You’ll have to forgive me,” I said. “But I can’t tell you what a cathedral looks like.” Richard said, “I get it bub. It’s okay” (Carver 44).
“Cathedral” is a short story that was written by Raymond Carver in 1981. Raymond Carver is most well known for his short stories and is even an writer credited with reviving the then dying form of literature. A part of a collection of short stories, “Cathedral” was the last to be published and was included in 1982’s Best American Short Stories. “Cathedral is different from the other works of Carver due to the humanistic realism that is given to his characters, which had not been seen before in his works. This shift earned Carver the critical success he always wanted and “Cathedral” became his most famous work. “Cathedral” is Carver’s most revered work of literature and is due mostly in part to his shift in style with his storytelling.
The blind man and the narrator differ on their views of the world. The blind man takes advantage of life by making friends and learning new things. The narrator sees the world superficially. He does not find deeper meanings in life and values appearances over lessons. Towards the end that changes. Once the narrator views a picture from the blind visitor’s perspective, he sees the world in a new way. “My eyes were still closed. I was in my house. I knew that. But I didn’t feel like I was inside
This seems to unsettle the husband, as he notices that his wife has a stronger connection with Robert than they have in their marriage. The husband is blind to his wife’s feelings and needs in their relationship, and this lack of communication between them has affected their marriage. His wife wrote a poem about her experience with the blind man touching her face, and he brushed it off by stating that, “[He] can remember not thinking much about the poem” (33). The blind man however acts as an outlet for the wife to vent about her feelings which forms a close bond between the two. Robert can understand the speaker’s wife in a way that the speaker clearly is not able to. The narrator mentions that he believes Robert’s wife, Beluah, must have led a miserable life because she, “could never see herself as she was seen in the eyes of her loves one. A woman who could never go on day after day and never receive the smallest compliment from her beloved” (34). He believes that the blind man’s wife must have suffered due to his inability to see her, yet the narrator has never even truly seen his own wife. Robert’s friendship with the speaker’s wife is what his own marriage is lacking due to not being able to recognize that his wife needs an emotional connection with him.
In the short story “Cathedral”, written by Raymond Carver, the story is told through the narrator’s eyes as the audience gains insight on his perspective of his life and, more specifically, his views on his wife and her blind friend. The narrator’s name is never mentioned throughout the story, but his personality and initial narrow-minded bias towards his wife’s friend Robert depicts his character traits. Throughout the story he does not seem to change his views, but once he experiences Robert’s point of view in his life, the narrator changes his perspective. This suggests the narrator is a dynamic character in the story due to his change after getting to know Robert.
The doubt the narrator had towards blind people his further evident when the blind man arrives at his house. On seeing the blind man for the first time in the parking lot, the narrator noticed that the blind man had a beard, but he thought that it was unusual. This is evident when the narrator remarks, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 4). The skeptical view, the narrator had towards blind people is further brought out when the narrator was being told about the death of the blind man’s wife.
A first-person narration provides an interesting perspective on the main action of a story. A narrator can express his/her own thoughts and feelings, which in turn develops a more personal and relatable story to the reader. Raymond Carver often uses this literary point-of-view tactic in his short stories to reveal the traits of the narrator. In "Cathedral," Carver uses conversational tone and diction to reveal the narrator's character; which is prejudicial at first, but becomes empathic by the end. Knowing this narrator's characteristics facilitates the reader's understanding of major components of the story, such as the narrator's hostility to Robert, his loser-like sociality, and the climax of opening up to Robert.