Carvers Cathedral Essay

Sometimes we have to look beyond what we see on the outside to understand something more deeply. In the short story Cathedral By Raymond Carver, the narrator has an attitude of being selfish, and jealous through the story. The narrator’s wife invites a blind man, Robert, to come stay in their house for a short time while the man visits family members of his own wife who recently passed. The narrator is not enthusiastic because blind people make the narrator uncomfortable, mainly because the narrator has no real experience with the blind. In addition, to his uneasiness with the blind the narrator is uncomfortable with the relationship his wife and the blind man have. The wife and Robert, the blind man, have maintained a close

The Allegory of the Cave, also know as The Analogy of the Cave, Plato's Cave or Parable of the Cave is presented by the Greek philosopher Plato in his work “The Republic “ as a theory concerning the perceptions of human kind and compares the effects of education to the lack of education on our observations. The passage is written as dialogue between Plato’s brother Glaucon and his teacher Socrates.

In Raymond Carver’s “Cathedral”, the short story is told by a character within the story. The first-person point of view gives us a transparent visual of an important time in the narrators’ life. The narrator, who is “un-named” in the beginning of the story, uses blunt, flawless and a particular choice of words. This gives us as the reader a deeper connection with the narrator. The narrator begins this story by taking us through the changes he go through with the uneasy feeling of having a blind-man coming to his house to visit.

In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).

The process of apprehending true knowledge is a task unfit for those who cannot overcome the concepts that the truth is associated with. This task of discovering knowledge tests an individual and their dedication to the process. However, this process is grueling and does not always yield the expected or desired result. According to philosophers, such as Socrates and Plato, humans are born with innate knowledge that becomes accessible through reasoning and life experiences. Plato’s The Allegory of the Cave describes of a group of people, in a cave, that have been shielded from society for their entire lives and were given an alternate and limited education. One man is forced out of the cave and into the light of the real world, where he

By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,

Plato’s “Allegory of the Cave” is just one small part of his work The Republic. In this piece, in particular his use of allegory and dialogue become the two main rhetorical devices he uses to

Carver is well known for his short stories and poetries. Among his works, “Cathedral” is considered one of the best, favorite, and most optimistic and the most developed. Carver’s story revolves around the theme of seeing and looking. Most people believed they could not live without cathedrals which brought them closer to their God. Similarly, people place so much importance to the physical eyesight and tend to think they can hardly live without it. Robert, a blind man, is invited to the narrator’s home and the narrator is shown troubled by Roberts’s disability. Later on, the narrator is amazed to see the blind smoking despite having even thought of helping him with his drink earlier on (Carver 516- 524). The latter brought to attention that as much as natural looking is essential, more essential is the ability to see or to visualize things. The writer explains that it might be tougher to be without eyesight; however, it is possible to live without it and make the best of what else one has, more so the brain. Visualizing brings out a better view of the significance of life and things surrounding us.

The story of Cathedral, by Raymond Carver, shows that you do not have to see someone or something in order to appreciate them for who or what they are. It is about a husband, the narrator, and his wife who live in a house. The wife, whose name they do not mention, has a very close friend who is blind. His name is Robert. Robert's wife dies, and comes to their house to spend a couple of days with the narrator and his wife. The narrator, whose name they do not mention as well, is always on edge because he does not really know Robert very well and he does not like blind people, but he is being friendly for his wife's sake. The story comes to an end when Robert and the narrator draw a cathedral together using the narrator's hand and helped by

To begin, both “Allegory of the Cave” by Plato and Fahrenheit 451 by Ray Bradbury are pieces of literature that illustrate a symbolic scenario of human society, and the relationship between individual truths and reality. As they both share the same vital messages concerning society’s reactions to unfamiliar and new knowledge, both passages contain similar themes and characters. Comprising of universes that include people who are heavily influenced by physical and mental barriers, “Allegory of the Cave” and Fahrenheit 451 emphasize the importance of curiosity, insight, and radical perception.

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.

The story follows the narrator and his wife who has invited her old friend to stay at their home because his wife has just passed away. The friend, Robert, is blind and the narrator’s wife worked for him as a reader ten years prior. They remained close and kept in touch by sending audiotapes to one another, recounting what was going on in their lives. Robert’s blindness makes the narrator uncomfortable and he does not look forward to his visit, even though it is quite important to his wife. The three spend a somewhat awkward evening together and the narrator become more comfortable with Robert as the night progresses and as his wife falls asleep. The narrator gains some compassion for Robert and attempts to describe what the cathedral on the

It is human nature to shy away from social situations that make us uncomfortable. Also, as a people with great pride, we often find it difficult to admit when we have been iniquitous, or to allow ourselves to be open to humbling experiences. Sometimes though, it is not entirely due to intolerance that we allow ourselves to make ill-informed judgments. Raymond Carver was a writer with some insight concerning these very ideas. In his short story, “Cathedral,” Carver uses a nameless narrator and his interactions with a blind man to illustrate how a lack of experience can lead to ignorance and thus prejudice. Through the development of this character,

Plato gives us an incredible allegory of the people in the cave. He give this allegory to show the effects of education to the human soul. He describes this groups of people as they have been in the cave since childhood and have never seen the light of the world in real life except for the fire in front of them and the statues that are controlled by the people on the other side of the cave. These people have lived their whole life in the dark and have never experienced the world. However, one of the prisoners managed to escape from the cave and discovered the truth about the light outside of cave. He was forced to look at the fire and the statues with pain