Leadership And Integrity In Raymond Carver's Cathedral

In the short story, “Cathedral” by Raymond Carver, it all began when the narrator’s wife invites her blind friend Robert over to visit her and her husband. Her husband has normal vision, but in the beginning of the story, he is the one that is blind. For example, he is close minded and stereotypical about this blind man arriving at their home. The husband’s words and actions when dealing with Robert is that the husband is uncomfortable, awkward, and mean. As the story progresses, we can see a change in the husband, and he seems to connect with Robert.

In Cathedral, the unnamed narrator, husband, defines the character of Robert as an anomaly in which he doesn’t comprehend. “He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1983). The media has been able to lead people like the narrator to develop negative opinions towards those with disabilities creating a type of phobia. After hearing stories about Robert, told by his wife, he could not imagine this blind man having a good life, one worth living. He assumes that Robert’s wife, Beulah, had lived a very pitiful life as well, not having her husband ever knowing what she looked like or what subtle nuances her facial expressions could only show through sight.

In the story “Cathedral”, author, Raymond Carver, show the readers that a person does not need their eyes to see as sight has a deeper meaning for different people. Within the story, the narrator, husband, describe his experience with his wife’s longtime friend Robert, a blind man who came to visit after losing his own wife to cancer. The story takes place in the husband’s home somewhere in the East Coast near Connecticut. As the husband has a drink and waits for his wife’s arrival with Robert, the husband shows an uneasiness about Robert being blind. Upon their arrival, the husband notices how joyful and happy his wife is with Robert and does not understand why. Inside the home, the husband and Robert had a few drinks accompanied with light conversation until dinner where the husband is impressed at how the Robert can describe the foods there are eating. After the dinner, the husband leaves to the couch to watch T.V. The wife and Robert join the husband him shortly after. After the wife falls asleep on the couch, the husband stops on a channel where they speak of Cathedrals and the blind man want him to describe it. Unable to use descriptive word to help Robert see, Robert asks the husband to draw the Cathedral on a paper thick enough so Robert can feel the lines. Robert joins hands with the husband as he draws on the paper and begins to visualize what a cathedral looks like while the husband has an insight on how to see through the eyes of a blind person, so to speak. The

In Raymond Carver’s “Cathedral”, the short story is told by a character within the story. The first-person point of view gives us a transparent visual of an important time in the narrators’ life. The narrator, who is “un-named” in the beginning of the story, uses blunt, flawless and a particular choice of words. This gives us as the reader a deeper connection with the narrator. The narrator begins this story by taking us through the changes he go through with the uneasy feeling of having a blind-man coming to his house to visit.

Blindness is not limited to physical manifestation. In Raymond Carver’s “Cathedral,” the figurative blindness is immediately apparent through the narrator and his shallowness, irrational jealousy, and egotistical personality. His dismissive behavior and ignorance towards the feelings of Robert, his wife’s blind friend, speak negatively of his character and reveals his insecurities. While the narrator’s emotional blindness and Robert’s physical blindness initially inhibits their bond, it eventually leads the narrator to an epiphany and the beginning of a character transformation. The different forms of blindness allow the characters to bond and grow over the course of the story.

The Story “Cathedral” by Raymond Carver is about true blindness and the effects of emotional contact. Peterson studies the use of determiners, a and the, that refer to the blind man in the story and its effects to establish the atmosphere of the story. He states that the change in determiner seems subtle, but these subtle changes are significant because the changes show how narrator feel about Robert throughout the story. Nesset studies the sexual polices and the love lives in several Carver’s stories. He discusses how Carver wrote his stories based on less of love and more of love withdrawal. Also Facknitz addresses rediscovery of human worth and the effects of emotional touch by discussing three short stories written by Carver. He analyses each narration of the narrator and comments based on psychological manner. The story “Cathedral” suggests the meaning of true blindness does not only refer to physical disability; it refers to those people who cannot see the world from other’s perspectives and it can be overcome through emotional contact.

By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

Carver is well known for his short stories and poetries. Among his works, “Cathedral” is considered one of the best, favorite, and most optimistic and the most developed. Carver’s story revolves around the theme of seeing and looking. Most people believed they could not live without cathedrals which brought them closer to their God. Similarly, people place so much importance to the physical eyesight and tend to think they can hardly live without it. Robert, a blind man, is invited to the narrator’s home and the narrator is shown troubled by Roberts’s disability. Later on, the narrator is amazed to see the blind smoking despite having even thought of helping him with his drink earlier on (Carver 516- 524). The latter brought to attention that as much as natural looking is essential, more essential is the ability to see or to visualize things. The writer explains that it might be tougher to be without eyesight; however, it is possible to live without it and make the best of what else one has, more so the brain. Visualizing brings out a better view of the significance of life and things surrounding us.

Carver’s short story “Cathedral” is about a man and a woman who are married. The woman’s blind friend Robert, whose wife just died is coming to stay with them because he plans on visiting his dead wife’s relatives nearby. Robert knew the man’s wife because she worked for him one summer, reading to Robert. The wife and Robert stayed in touch over the years by sending tapes to each other, and letting each other know about what was going on in their lives. When the man hears Robert is coming over he makes idiotic comments about Robert’s wife and felt that Robert would be a burden on them because he is blind. The man and the woman proceed to argue over the situation. The wife tells her husband, “If you had a friend, any friend, and the friend came to visit, I’d make him feel comfortable” (Carver, “Cathedral” 34). The man responds to this by stating, “I don’t have any blind friends” (Carver, “Cathedral” 34). When Robert finally arrives, they converse, drink, and eat together. After, the wife goes upstairs, the man and Robert begin to smoke some weed together. While the wife was sleeping, they start watching TV together and talking. Robert asks the man to explain to him what a cathedral looks like because cathedrals came up on the TV. The man has trouble explaining it and cannot describe to Robert what a cathedral looks like. Then Robert asks the man to draw a cathedral with him. Robert request that the man close his eyes, and they begin to draw. This is where the story ends and it seems that this is when the man became aware of the difficult lives blind people live as he could not explain what a cathedral looked like, and he could not see his drawing.

Cathedral, the short story by Raymond Carver is told from a first person point of view through the eyes of the narrator who remains nameless throughout the story. The narrator, for most of the story acts selfish, feels jealousy, and does not want Robert, a blind man, to come to visit, but as the story progresses, the narrator gets to know and understand Robert and for the first time, he begins to see things with a completely different perspective. These changes make the narrator a dynamic character.

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

In the short story “Cathedral”, written by Raymond Carver, the story is told through the narrator’s eyes as the audience gains insight on his perspective of his life and, more specifically, his views on his wife and her blind friend. The narrator’s name is never mentioned throughout the story, but his personality and initial narrow-minded bias towards his wife’s friend Robert depicts his character traits. Throughout the story he does not seem to change his views, but once he experiences Robert’s point of view in his life, the narrator changes his perspective. This suggests the narrator is a dynamic character in the story due to his change after getting to know Robert.

Raymond Carver’s characters were considered to be very much like him: “’on the edge: of poverty, alcoholic self-destruction, loneliness” (Mays 32). His short story “Cathedral” is about a young couple, who have a visitor coming to stay with them. This visitor, Robert, is the wife’s friend, and he is blind. The narrator, the husband, has never met someone who is blind, was bothered by that. To him, being blind meant constantly needing help from others. His depiction of blindness was what he has seen in the movies. “I wasn’t enthusiastic about his visit… A blind man in my house was not something I looked forward to,” he tells the reader (Carver 32). His wife on the other hand, was very happy to see her old friend. She had worked for Robert