Many novelists and playwriters often perpetuate their main characters a characteristic trait of madness. In "Hamlet", one of Shakespeare's most famous tragedies, Hamlet's madness behavior changes from sane to insane depending upon the individuals he encounters. However, madness to him is a vital device as it encourages him to seek the truth. Throughout the play, Hamlet demonstrates "madness" in order to investigate his father's death and, prove who are his allies and who are his enemies.
Hamlet's most compelling motivation for claiming to be insane is that he needs to have the capacity to explore the allegations made by his father's apparition against his uncle and new stepfather, Claudius, without raising any doubt that he knows the reality
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One major issue the play speaks of is how each person betrays one another. However, Hamlet is able to eliminate this problem by faking frenzy. In Act I, Scene V, lines 190-201 Hamlet tells Horatio how he is going to act as if he is crazy after seeing his father's ghost. "How strange or odd some'er I bear myself/That you, at such times seeing, never shall, /With arms encumbered thus, or this headshake, /Or "If we list to speak," or "There be an if they/might,"/Or such ambiguous giving-out, to note/That you know of me-this do swear." Here Hamlet says to Horatio that from that point forward he'll act weird but to ignore him as it is just an act to seek revenge for his father's death. Furthermore, Hamlet only acts mad as he confronts certain characters such as Polonius, Claudius, Gertrude, Ophelia, Rosencrantz, and Guildenstern. He acts mad towards them because they plotted against him. One of their plans is to secretly spy on him using two of his best childhood friends and see why he is acting weirdly. "I am but mad north-north-west: when the wind is southerly, I know a hawk from a handsaw" (Act II. Scene II). Here Hamlet is telling Rosencrantz and Guildenstern that he knows exactly what they're up to: spying on him. The other plan is to secretly spy on his conversation with Ophelia. Overall, Hamlet knows that they have all betrayed him because of their schemes. However, when Hamlet is around Horatio, Bernardo, Francisco, the players, and the gravediggers, he acts completely normal. Hamlets madness helps him figure out who is truly on his side. Hamlet is using his madness as a tool to facilitate his own plans for
When he talks to Guildenstern and Rosencrantz, Hamlet is clever to realize what their actual pupose of visiting was. "I am but mad north-north-west. When the wind is southerly, I know a hawk from a handsaw. (2.2.401)." Hamlet is able to play with his friends through his "madness" and is still capable to maintain his secret of what he is really doing.
As well as that, Hamlet’s madness is used as an excuse. He does not have to answer any questions people may have about why he is acting weird which gives him more time to continue plotting to hurt Claudius. His objective was to appear crazy and make it believable, and in doing so it makes him appear even smarter. Hamlet acts like himself and only acts insane when it is necessary. When he talks to Horatio about watching Claudius for signs of guilt he says “Give him heedful note, for I mine eyes will rivet his face, and, after, we will both our judgments join in censure of his seeming (3.2.87)”. The way he speaks makes it clear that he is perfectly fine. Horatio is one of the only people he does not need to feine insanity to. As well as that,when he is explaining to the players how to act, he asks “You could, for a need, study a speech of some dozen or sixteen lines, which I would
Hamlet is a young man who has become crazy from his trials and tribulations in life. He lost his father due to his uncle murdering them and then had to watch his mother marry the killer. Hamlets insanity can be demonstrated by his crude language and disregard for the well being of his mother. It can also be shown by his depression, which causes him to second guess everything including his life and finally his love, Ophelia helps to justify his absurdness by acting as a mirror. His foolish behavior worries many in the kingdom and creates a hostile and paranoid environment for those around. While some in the castle may believe that Hamlet is putting on an act, he proves that he is mad through his violet actions, his mental health and Ophelia.
Shakespeare's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his father's murderer. In the play Hamlet by William
Hamlet is far too on top of things to be mad. Hamlet’s intellectual brilliance is first brought out in Act I, scene V when he plans on acting mad to confuse his enemies. Hamlet is also quick to figure out who his enemies and who are his real friends. “I know the good King and Queen have sent for you” (I.iv.37). Hamlet instantly knows that Rosencrantz and Guildenstern are not paying a social visit to Hamlet, but were in fact sent as spies for the former King of Denmark to find out the cause of his sudden madness. Hamlet immediately knows that he cannot trust his former school friends, and that he must take caution in what he says when is around the both of them. Rosencrantz and Guildenstern talk with Hamlet, but "with a crafty madness [Hamlet] keeps aloof" (I.iv.37), and they are unable to find the cause for his odd behavior. Hamlet’s true intellect is brought out in Act III, scene II when he plans on putting on a play. "If his occulted guilt do not itself unkennel in one speech, / it is a damned ghost that we have seen, and my /imaginations are as foul as Vulcan’s stithy" (III.ii.84). When Hamlet comes up with a brilliant plan to put on a play about someone killing a King, he determines whether or not Claudius is guilty of murder, or if the ghost is really his dead father or an evil spirit whose setting him up to kill an innocent man. Hamlet coming up with a successful plan to prove
Hamlet’s absurd actions began when he got a visit from his father’s ghost. As he was conversing matters with the ghost, he acknowledged that he may need to disguise himself with strange behavior (antic disposition) in order to not give himself away. He wanted to ensure that he wouldn’t make it conspicuous that he was planning to kill Claudius in order to achieve his own equanimity. Hamlet mentioned to Horatio, Marcellus, and the Ghost, “How strange or odd some’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)... ” (Pg. Act I Scene V Lines 175-177). He needed to surreptitiously act in a strange manner in order to convey the idea to the culpable King that he didn’t have a plan, although he did. Hamlet would not have given them the caveat that he would act mad if he actually was crazy. One who is mad will most likely not admit it, but Hamlet certainly admitted that he would be acting this way to communicate a certain impression. At the climax of the play, the queen claimed that Hamlet was mad when he interacted with his father’s ghost after he murdered Polonius. She vehemently claimed, “Alas, he’s mad” (Pg. 177 Act III Scene IV Line 109). She declared
The insanity of a person can be contributed through the trauma that is caused by a few events in a person’s life, but in the play Hamlet, William Shakespeare wrote the main character prince Hamlet experiences a few dramatic events from the play which his attitude changes throughout. In order to figure out whether hamlet is insane is by figuring out what the characteristics of his insanity. Characters see Hamlet in different shades of gray, each side more or less sane than others. His sanity can be his truth or his lie.
When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full
In Shakespeare’s Hamlet, the main character Hamlet is believed to have gone insane after the death of his father. There is much evidence in the play that causes one to believe that Hamlet is in fact crazy. However, there are also indications to the contrary, Hamlet only feigns madness for the purpose of carrying out his mission. He rehearses his pretend madness first with Ophelia for even if he fails to convince her , that failure would not cause him any harm. The language he uses is clearly not that of an insane person, he is lucid and succinct when he speaks proving that he knows exactly what he is doing. .
In the play Hamlet by William Shakespeare, madness is a central theme. After meeting with his father’s ghost, Hamlet feigns madness in order to gain information about the death of his father to see if it was in fact, at the hands of his uncle. Hamlet feigning madness is a central part of the story because while at the beginning of the story Hamlet is only pretending to be insane, as the story goes on it becomes harder to tell if he is still pretending or if he truly has gone insane. Shakespeare makes it difficult to determine whether Hamlet is feigning insanity or is truly insane because during different parts of the play there is evidence of his being sane, while other scenes show Hamlet as acting strange and irrational.
As demonstrated throughout the play, Hamlet’s madness is evident whether real or fake. In his own words, “I am mad but north-north-west: / When the wind southerly, I know a hawk from a handsaw” (II. ii. 377-78). Hamlet is claiming that he is frequently seen as crazy. However, he claims that he can choose the moments to be mad. Hamlet is speaking to Rosencrantz and Guildenstern stating that Hamlet knows what Rosencrantz and Guildenstern plan to do. The reader is again asked to consider whether Hamlet is faking his madness or whether he is, in fact, mad. In a monologue, he says, “How strange or odd some’er I bear / myself / As I perchance hereafter shall think / meet / To pit an antic disposition on” (I. V. 190- 92). The death of Hamlet’s father is something Hamlet cannot
Hamlet faces challenges throughout the play that try his inner strengths and test his ability to handle the situation. He is torn between wanting to seek justice, and avenge his father’s death. Hamlet is also caught up in an intricate web of lies and deceit, he is considered mad by most characters when in all actuality it is just playing off of the actions of others to benefit himself. He puts on different acts trying to hide the truth, which makes him seem sincerely mad to the people around him. The truth of the matter is that Hamlet can’t decide whether or not his convictions are accurate. This dilemma ultimately leads to not only the deaths of the main characters, but the downfall of the kingdom.
The topic of betrayal is a big idea in the play. The way that Rosencrantz and Guildenstern blindly follow Claudius’ orders to keep an eye on Hamlet, can teach you that even those you think you can trust are capable of hurting you. Hamlet is also betrayed by both his uncle, which can teach us that family can also be untrustworthy at times. It also teaches us that we should act on what we promise ourselves before it’s too late. It is presented in a very dramatic way, with Hamlet having his revenge of finally killing Claudius, but we should have learned that it’s always best to act quick on our
“Hamlet’s madness is less than madness and more than feigned”. What is madness? Mad is a word with such uncertainty that it can be stretched to mean an abundance of things more than just pure psychological instability: a weariness of life; a suicidal impulse; a plotting charisma. In the play Hamlet by William Shakespeare, a wild disagreement has been consequent for a series of years in the case of the madness of Hamlet, the play 's central narrative, was justifiable or feigned. As in any decision, one must be given both sides of the controversy before making an impartial conclusion. The case of Hamlet 's madness is no exclusion. It is appropriate to say that Hamlet may have remained sensible throughout the performance, especially in consideration of his rag flashes of what seems to be psychological discipline and stability. However, Hamlet is perceived as disoriented by overwhelming burst of hysteria after acquiring knowledge of his father’s death, news of Gertrude’s quick remarriage, and Claudius becoming the new King. In the butt end it is up to the scholar to determine for him or herself the psychological nature of Hamlet’s madness, as it may have been the motive of William Shakespeare, taking into review how open-ended this subject continued throughout the play.