“The Cathedral” by Raymond Carver is an eye opening short story which focuses on an unnamed narrator who has a hard time interacting with the world around him, specifically his new visitor. The narrator is the perfect example of an antihero as he is the central character, but does not exhibit heroic attributes. In this first-person narrative, the narrator speaks of when his wife’s old friend, Robert, comes to visit. After Robert’s wife passes on, he stops by the narrator’s house for a night while passing through to visit his family. The theme of the “The Cathedral” focuses on how although one may be looking, they may not truly be seeing. When analyzing the narrator of “The Cathedral”, one can see how he exemplifies the themes of the short …show more content…
While the narrator continues this way throughout the story, his possessiveness does begin to halter as he gets to know Robert on a more personal level. Once the climax of the short story arrives, the narrator’s possessive trait somewhat vanishes as he opens his eyes to the world around him. The narrator is a character who is ignorant. Throughout the story, the narrator demonstrates his narrow-mindedness in many instances – especially when it comes to Robert’s blindness. Notably, the narrator speaks of how his assumptions regarding blindness have been adapted from what he has seen within movies. For much of the story, the narrator continually questions Robert’s abilities due to his blindness. From his choice to wear a beard to whether he will be able to eat his dinner on his own, the narrator comments on Robert’s choices. An example of this takes place when the narrator believes Robert would not smoke due to his blindness. The narrator remembers, “having read somewhere that the blind didn’t smoke because, as speculation had it, they couldn’t see the smoke they exhaled. I thought I knew that much and that much only about blind people.” (Carver 107). To the narrator’s surprise, Robert does in fact smoke. The narrator’s ignorance allowed for him to believe blindness would truly affect this in the first place. Furthermore, the narrator’s ignorance is also seen when he questions what Robert was wearing – explicitly his lack of dark glasses. While thinking on the topic, the
The narrator has perfectly acceptable vision, he can see his wife, and he can see and describe Robert: “this blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (181). He
The main character or narrator in the Cathedral was not only jealous of the relationship between his wife and her friend (the blind man); moreover, he had not seen him in person and did not appreciate the idea that he was actually spending the night at their house. However, after the narrator’s encounter with Robert, he perceives that he was not what he expected him to be; instead, he was gentle and friendly. On the other hand, the main character or narrator in everyday use was outspoken and straightforward, explaining about her surroundings and what had transpired in her life. From harsh labor to the different circumstances, she had faced in her lifetime; she also talks about her daughters who had different personalities.
Once Robert arrives some, of the narrators assumptions about blind people are broke down immediately like when he mentions "He didn't use a cane and he didn't
Bub’s epiphany helps him realize how Robert mirrors his life. The first indication of this was the jealousy he felt when his wife told him about her last day working with Robert. “On her last day last day in the office, the blind man asked if he could touch her face. She told me he touched his fingers to every part of her face, her nose--even her neck! She never forgot it”(pg. 3). The narrator’s jealousy was triggered because the thought of another male touching his wife bothered him. The mere fact that it was a she could never forget, it hit him hard. This emotional reaction shows that either the narrator doesn’t connect with his wife on an intimate level or he never cared for how his wife felt intimately until she spoke of another male and how his touch was unforgettable.
The narrator is pre-judgemental towards all people who are blind, whether or not he has met them. He believes all blind people are the same as those he has watched in movies. The narrator perception of the blind is that they “moved slowly and never laughed” and when they went out “they were led by seeing eye-dogs” (Carver 104). The movie industry creates a false image of the blind, which leads to the narrator’s assumptions. However, the blind are not all the same, just like how everyone else in the world are not the same. People are designed to be different in their personalities, thoughts, looks and much more. The narrator’s ideas of Robert are based off of false conceptions and this changes his attitude towards Robert. The narrator already has strong feelings towards Robert before meeting him
The Story “Cathedral” by Raymond Carver is about true blindness and the effects of emotional contact. Peterson studies the use of determiners, a and the, that refer to the blind man in the story and its effects to establish the atmosphere of the story. He states that the change in determiner seems subtle, but these subtle changes are significant because the changes show how narrator feel about Robert throughout the story. Nesset studies the sexual polices and the love lives in several Carver’s stories. He discusses how Carver wrote his stories based on less of love and more of love withdrawal. Also Facknitz addresses rediscovery of human worth and the effects of emotional touch by discussing three short stories written by Carver. He analyses each narration of the narrator and comments based on psychological manner. The story “Cathedral” suggests the meaning of true blindness does not only refer to physical disability; it refers to those people who cannot see the world from other’s perspectives and it can be overcome through emotional contact.
In the narrative, the author writes the story in first person point of view through an unnamed narrator which enables the reader to visualize, experience, and perceive a deeper insight into his mind. The story commences with the narrator speaking directly to the audience appearing closed-off and narrow-minded. His wife has an old friend named Robert, who happens to be blind, coming to spend the night. Right away, the reader can sense how the narrator comes off as self-absorbed. He`s only concerned about how Robert’s visit will affect him and is inconsiderate about the strong bond Robert and his wife have built over the years. The narrator also lacks self-awareness when he found himself thinking “what a pitiful life this woman must have led.” (Carver 3) The woman being Beulah, Robert`s recently deceased wife, who the narrator belittled as she married a blind man and now she “could never see herself as she was seen in the eyes of her loved one.” (Carver 3) Not realizing that with
In the short story, Cathedral, by Raymond Carver, the author uses imagery, symbolism and narrates the story in first person point of view. The Cathedral’s main theme is being able to identify the difference between being able to look and/or see and it is portrayed through the main characters role in the story. Carver uses a unique style of writing which gives the short story a simple way for the reader to understand the story’s theme.
The narrator in the “Cathedral” displays a lack of insight and self-awareness that, in many ways, makes even him blinder than Robert. The narrator is shown to have trouble understanding the thoughts and
The short story “Cathedral”, by Raymond Carver, is a thought provoking piece that focuses on the transition a man goes through to see the world with his soul. The story gives hope that people can change if given the chance to be better people. Over the course of the story, Carver uses both diction and description to explore themes in religion and morality.
The speaker puts Robert in a category that stops him from seeing him as an individual, yet receives an eye-opening experience through the blind man’s knowledge and
The story opens with the narrator giving a background of his wife and Robert. Immediately, it is easy for the audience to form a negative opinion about the narrator. Within the first paragraph of the story he says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 33). This exemplifies his pre-formed opinion about Robert even though he hardly knows anything about him. He clearly is uncomfortable with the fact that Robert is blind, mainly based on his lack of exposure to people with disabilities. The narrator is very narrow-minded for most of this story, making it easy to initially dislike him.
In the beginning of the story, the husband, who is the narrator of “Cathedral,” seems to be a very ignorant, uncaring man. Nesset wrote “Walled in by his own insecurities and prejudices, this narrator is sadly out of touch with his world and with himself, buffered by drink and pot and by the sad reality, as his wife puts it, that he has no ‘friends’” (Nesset 124). The narrator has no connection to himself or the outside world. He has no friends, as his wife points out, which goes to show he keeps to himself, but he still doesn’t fully understand who “himself” is, because he doesn’t have that connection to himself, thus leading to the drinking and drugs. He wasn’t used to change, so having a visitor come over to his house bothered him. The moment he saw Robert, the narrator began to change. When his wife pulled up with the blind man in the car and they got out of the car, he saw that Robert had a beard and he thought to himself, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 35). The narrator had expected to see the blind man in the way they showed them in the movies, but now that his idea of who Robert was as a person was being challenged, the change started to appear. Robert, who is a static character, is very essential in the change of the narrator. It is because Robert is the way he is, his marrying of a colored woman, his travels around the
Through the author's use of diction, more aspects of the narrator's personality are revealed. Simply from word choice, we learn that the narrator is prejudicial towards others, and jealous of other men's relationships with his wife. When facing the situation of Robert coming to town to visit his wife, the narrator blatantly expresses that "a blind man in my house was not something I looked forward to" (Carver 209). This repeated substitution of "blind man"
As the story continues it exposes the many things that the husband fails to realize. For example, the husband neglects to recognize that Robert can feel. Robert commented about the train ride from the city that he’d "nearly forgotten the sensation" (1055). The husband does not understand that what blind people cannot see they can experience by feeling and hearing. The husband does not see what is underneath the skin or what is behind a face. The husband sees people and things at face value; he doesn’t look beneath the surface. In contrast, the blind man "sees" things with his ears, his hands, and his heart. Robert does not let the fact that he is handicapped affect how he perceives people and the things around him. Carver illustrates this when the husband observes, "The blind man has another taste of his drink. He lifted his beard, sniffed it, and let it fall. He leaned forward on the sofa. He positioned his ashtray on the coffee table, then put the lighter to his cigarette. He leaned back on the sofa and crossed his legs at the ankles" (1057) He did this just as anyone could have done. He doesn’t let the fact that he is