The Theme of Control in Shakespeare's Othello Essay

Iago is Shakespeare's most used character in the play. The events in the story are controlled by him, he has the most dialogue out of any character, and he is proven to have relationships with nearly every character in the cast. One could say that he is the tool that Sheakspeare uses to teach the lesson in this tragedy. Despite being the central character in the play Othello, Iago is a villain. Shakespeare uses the villain Iago to show how easily one's weaknesses can be exploited. Within the story, Iago exploits the weaknesses of not only Othello, but also Roderigo, Cassio, and Desdemona. By watching these characters, the audience sees how easily their weaknesses are exploited, and how often these flaws lead to their downfall.

In William Shakespeare’s play Othello, the Iago is the most important character. It is his dreams, hopes and desires that turn him evil, bringing out the worst possible characteristics in order to achieve all the things he wants. Iago’s manipulative traits, deceitful actions and love for Othello eventually cause the death Emilia, Desdemona and Othello himself.

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.

Iago, being remarkably wise, understood this, explaining to Roderigo: “If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions” (Shakespeare 1.3.322-25). People require balance in their life in order to maintain stability, and therefore maintain their sanity. In the same way balance provides structure in one’s life, imbalance can also bring about one’s undoing. Iago was not traditionally at the apex of power in the Elizabethan triangle of power, but every character was still a pawn in his scheme. His manipulation over each character truly put him as the most powerful character, at least until his true intentions were later revealed. Iago deliberately offset the balance in Othello’s life, and manipulated his jealousy in such a way that allowed him to succeed in all that he had planned. His plan would not have otherwise come to fruition had Othello not allowed his emotion to overpower his logic. Iago was able to simultaneously accomplish every goal in exploiting Othello’s jealousy. Iago painted Cassio, the lieutenant, to be Desdemona’s lover behind Othello’s back. In doing this, he won Othello’s trust, ruined Desdemona and Othello’s relationship, as per Roderigo’s payment to him, and eventually became named lieutenant after Cassio’s demotion. Being the cunning manipulator ultimately brought Iago was success in

Later on in the play, Iago lies to Roderigo when he tells him that Othello will be taking Desdemona with him to Mauritania. He suggests that if Roderigo ever wants to see Desdemona again he has to make sure that Othello extends his stay in Cyprus. To do so, he suggests that Cassio must be killed, “Why, by making him uncapable of Othello’s place—/ knocking out his brains.”(4.2.226-227). If Othello goes to Mauritania, Cassio will be assigned Othello’s place. By killing Cassio, Iago gets his revenge and Roderigo would have a chance to win over Desdemona. Roderigo’s character is used to portray the theme of manipulation. He is persuaded into doing Iago’s ill deeds. Iago is only after one thing, to be appointed lieutenant, and he will do whatever is necessary to reach his goal.

In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins

Firstly, Iago showed how he was the perfect villain with his ability to manipulate characters throughout the play. By manipulating other characters Iago can forward his plan of ruining Othello without other characters becoming suspicious. One character that Iago often manipulates is his friend Roderigo, this one character is the one that mainly does all the hard work of Iago. This quote: “Desdemona should continue her love to the Moor-put/money in thy purse-nor he his to her. It was a violent commencement in her, and thou shalt see an/answerable sequestration-put but money in thy purse. (1.3 334-338) convinced Roderigo to not kill himself and to continue to believe in Iago’s plan of making Desdemona to stop loving the Moor. Roderigo is in love and this is one reason why he is unable to realize that he is manipulated by Iago. Also, Iago manipulates Cassio to go talk to Desdemona, but Cassio is totally oblivious that he plans to use this to the Moor with jealousy. The quote: “I’ll send her to you presently; /and I’ll devise a means to draw the Moor/out of the way, that your converse and business/May be more free. (3.3 37-40) convinced Cassio to talk to Desdemona, which consequently shaped Othello to be even more jealous than before.

Iago mentions the strength of others wills, and notes how it is simple to change a person with willpower alone. He is then implying that the people who he can trick are inferior to him. In this way Iago is overly proud of his abilities and loves to put himself above his superiors. He is superior to them only his ability to plot complex schemes. His plan to destroy Othello is full of grandeur and risks. Iago sets long series of specific events into motion relying on luck to carry through some of the parts. He is very roundabout on bringing his plan to fruition. Rather than lying to multiple characters and stealing handkerchiefs he could have, just as easily, told Roderigo to kill Othello. However, he seeks to have superiority over his commanders, so in a way, he is trying to prove he is better than they by creating such complex narratives. His actions in this regard are very similar to

Othello is horribly jealous of what he thinks is going on between his wife and Cassio. This poisonous feeling turns Othello into a mad man and he strikes his wife. Jealousy causes

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

355,] By playing on his hopes, Iago is able to conjure money and jewels from Roderigo, making himself a profit, while using Roderigo to further his other plans. He also thinks stealthy on his feet and is able to improvise whenever something unexpected occurs. When Cassio takes hold of Desdemona's hand before the arrival of the Moor Othello, Iago says, "With as little a web as this will I ensnare as great a fly as Cassio." [II, i, 163] This language demonstrates the evil inside Iago’s goals of retrieving absolute power. He actually even says of himself, "I am an honest man...." [II, iii, 245] Iago slowly corrupts the character’s thoughts, creating ideas in their minds without implicating himself. His "medicine works! Thus credulous fools are caught...." [II, i, 44] "And what's he then that says I play the villain, when this advice is free I give, and honest," [II, iii, 299] says Iago. In turn, people rarely stop to consider the fact that old Iago could be deceiving and manipulating them; yet they are convinced that he is "Honest Iago." From these quotes from “Othello” it is proven that the dialogue used between Iago and the others is manipulative causing an evil outcome.

Othello and Iago love emotions shows throughout the play that they have certain different view on their wives. Othello is so in love with Desdemona that he can’t imagine the thought of her being unfaithful to him. The aspect of him and his unbreakable love for Desdemona can be seen in these lines: “But that I love the gentle Desdemona, I would not my unhoused free condition, Put into circumscription and confine” (Othello 561;lines 25-28). Othello and Desdemona shows a healthy and genuine love for each other. Othello shows his affection for Desdemona despite their racial differences. Throughout the play Othello reassures us about their love and no one else’s thought can break it.

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.