Raymond Carver does an excellent job of formulating the overall theme of looking without seeing. While it is very apparent to the reader that the main character can see physical objects just fine, one can also see that he clearly has a limit to that sight when it comes to emotional connections. As we follow the story, we can see the narrator transform and ultimately reach a breakthrough in the end. By using point of view, character, and symbolism, Carver is able to highlight the theme of the story.
Upon reading the first sentence of this short story—“This blind man, an old friend of my wife’s, he was on his way to spend the night.” (Seagull 61)—we can concur that the narrator is speaking in first person point-of-view, and is both an observer
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He knows that the man’s name is Robert, yet he only refers to him as the blind man. Other than the opening sentence, which I have already discussed, there are numerous instances to prove how judgmental he [the narrator] is. For example, while discussing Robert prior to his arrival, the narrator bluntly says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me . . . A blind man in my house wasn’t something I looked forward to,” (Seagull 62). This judgmental viewpoint is seen again while he and his wife are discussing Robert while she is in the kitchen preparing dinner: “Buelah! That’s a name for a colored woman! Was his wife a Negro? . . . Pretty soon Beulah and the blind man had themselves a church wedding. It was a little wedding—who’d want to go to such a wedding in the first place?” (Seagull …show more content…
It is in the comparison of the narrator and Robert that we can truly see the narrator’s internal journey. The fact that he is blind is tremendously significant to the story’s underlying meaning. The narrator has the ability to see everything, and yet Robert—this blind man—is capable of seeing more. It seems as if Robert recognizes the narrator’s faulty perception when he asks him to describe the cathedral. Getting him to draw with him allows the narrator to gain insight; something I think Robert knew would happen when he asked him to close his eyes on page 76. It is through these recognitions that we can see the narrator’s ability to change from an egotistical misogynist who can only perceive physical sight and value into a man who recognizes things for what they truly
The narrator has perfectly acceptable vision, he can see his wife, and he can see and describe Robert: “this blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (181). He
In the story “Cathedral”, author, Raymond Carver, show the readers that a person does not need their eyes to see as sight has a deeper meaning for different people. Within the story, the narrator, husband, describe his experience with his wife’s longtime friend Robert, a blind man who came to visit after losing his own wife to cancer. The story takes place in the husband’s home somewhere in the East Coast near Connecticut. As the husband has a drink and waits for his wife’s arrival with Robert, the husband shows an uneasiness about Robert being blind. Upon their arrival, the husband notices how joyful and happy his wife is with Robert and does not understand why. Inside the home, the husband and Robert had a few drinks accompanied with light conversation until dinner where the husband is impressed at how the Robert can describe the foods there are eating. After the dinner, the husband leaves to the couch to watch T.V. The wife and Robert join the husband him shortly after. After the wife falls asleep on the couch, the husband stops on a channel where they speak of Cathedrals and the blind man want him to describe it. Unable to use descriptive word to help Robert see, Robert asks the husband to draw the Cathedral on a paper thick enough so Robert can feel the lines. Robert joins hands with the husband as he draws on the paper and begins to visualize what a cathedral looks like while the husband has an insight on how to see through the eyes of a blind person, so to speak. The
He makes this clear in the opening paragraph of the story where he says “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1). The narrator dismisses Robert in the same manner a white racist may dismiss an African-American. His prejudice, or any prejudice, is preconceived based on superficial qualities rather than actual experience or reason. It is evident the narrator can’t see beyond Robert’s disability and is judging Robert because of a characteristic that makes him uncomfortable. This unconscious placement of Robert into an atypical category prevents him from seeing Robert as an individual. The narrator does not see Robert as a whole person, but solely as a blind man. Part of what makes the narrator emotionally blind is this
The narrator is pre-judgemental towards all people who are blind, whether or not he has met them. He believes all blind people are the same as those he has watched in movies. The narrator perception of the blind is that they “moved slowly and never laughed” and when they went out “they were led by seeing eye-dogs” (Carver 104). The movie industry creates a false image of the blind, which leads to the narrator’s assumptions. However, the blind are not all the same, just like how everyone else in the world are not the same. People are designed to be different in their personalities, thoughts, looks and much more. The narrator’s ideas of Robert are based off of false conceptions and this changes his attitude towards Robert. The narrator already has strong feelings towards Robert before meeting him
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.
In the short story, Cathedral, by Raymond Carver, the author uses imagery, symbolism and narrates the story in first person point of view. The Cathedral’s main theme is being able to identify the difference between being able to look and/or see and it is portrayed through the main characters role in the story. Carver uses a unique style of writing which gives the short story a simple way for the reader to understand the story’s theme.
The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never
Say my life was being threatened by an insane guy who said I had to do it or else.” (Carver 43). This moment in story allows the narrator to finally try to comprehend the greater meaning of life by him closing his eyes and drawing a cathedral with Robert. This moment is a further showing of the narrator’s change, in the beginning he was bitter towards Robert due to his bias against blindness, but this moment allows him to understand Robert and show change.
His further ignorance about the blind are focused in on Robert since he is aware of his upcoming visit. Hearing the marriage stories about Robert from his wife the narrator cannot realize how a woman could love a blind man, "It was beyond my understanding. Hearing this, I felt sorry for the blind man for a little bit. And then I found myself thinking what a pitiful life this women must have led" (508). This ignorance and immature understanding of relationships overshadows his attitude toward Roberts visit, unwanted and condescending. His attitude toward the blind man seems to change though before and furtherly during the connection they make as they draw the cathedral together. Although there is no evidence that the narrator's overall ignorances and prejudices are gone from the experience, it is very clear however that he does come to some sort of revelation and enlightment, "My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything" (515). Because what the narrator draws is a cathedral it is only assumable that this enlightment that the narrator experiences has to do with values of Christianity, in this case it would be a realization of equality and treating people with love, little is said about the effects this revelation has on him.
The narrator does not find joy in learning, does not have close friendships, and superficially judges the world. According to his wife, he has no friends. “Every night I smoked dope and stayed up as long as I could before I fell asleep”. He has a monotonous life. He is also afraid of the blind man and does not know how to interact with him. The blind man’s eyes creep him out. “I’d always thought dark glasses were a must for the blind. Fact was, I wished he had a pair”. He judges the man based on his look instead of his personality. Even before he met the man, he fixated on the blindness. He also feels pity for
The speaker puts Robert in a category that stops him from seeing him as an individual, yet receives an eye-opening experience through the blind man’s knowledge and
The story opens with the narrator giving a background of his wife and Robert. Immediately, it is easy for the audience to form a negative opinion about the narrator. Within the first paragraph of the story he says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 33). This exemplifies his pre-formed opinion about Robert even though he hardly knows anything about him. He clearly is uncomfortable with the fact that Robert is blind, mainly based on his lack of exposure to people with disabilities. The narrator is very narrow-minded for most of this story, making it easy to initially dislike him.
Through the author's use of diction, more aspects of the narrator's personality are revealed. Simply from word choice, we learn that the narrator is prejudicial towards others, and jealous of other men's relationships with his wife. When facing the situation of Robert coming to town to visit his wife, the narrator blatantly expresses that "a blind man in my house was not something I looked forward to" (Carver 209). This repeated substitution of "blind man"
A person’s ability to see is often taken for granted as it is in "Cathedral" by Raymond Carver. Although the title suggests that the story is about a cathedral, it is really about two men who are blind, one physically, the other psychologically. One of the men is Robert, the blind friend of the narrator’s wife; the other is the narrator-husband himself. The husband is the man who is psychologically blind. Carver deftly describes the way the husband looks at life: from a very narrow-minded point of view. Two instances in particular illustrate this. The first is that the husband seems to believe that the most important thing to women is being complimented on their looks; the second is