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The Blind Man Raymond Carver

Good Essays

Raymond Carver does an excellent job of formulating the overall theme of looking without seeing. While it is very apparent to the reader that the main character can see physical objects just fine, one can also see that he clearly has a limit to that sight when it comes to emotional connections. As we follow the story, we can see the narrator transform and ultimately reach a breakthrough in the end. By using point of view, character, and symbolism, Carver is able to highlight the theme of the story.
Upon reading the first sentence of this short story—“This blind man, an old friend of my wife’s, he was on his way to spend the night.” (Seagull 61)—we can concur that the narrator is speaking in first person point-of-view, and is both an observer …show more content…

He knows that the man’s name is Robert, yet he only refers to him as the blind man. Other than the opening sentence, which I have already discussed, there are numerous instances to prove how judgmental he [the narrator] is. For example, while discussing Robert prior to his arrival, the narrator bluntly says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me . . . A blind man in my house wasn’t something I looked forward to,” (Seagull 62). This judgmental viewpoint is seen again while he and his wife are discussing Robert while she is in the kitchen preparing dinner: “Buelah! That’s a name for a colored woman! Was his wife a Negro? . . . Pretty soon Beulah and the blind man had themselves a church wedding. It was a little wedding—who’d want to go to such a wedding in the first place?” (Seagull …show more content…

It is in the comparison of the narrator and Robert that we can truly see the narrator’s internal journey. The fact that he is blind is tremendously significant to the story’s underlying meaning. The narrator has the ability to see everything, and yet Robert—this blind man—is capable of seeing more. It seems as if Robert recognizes the narrator’s faulty perception when he asks him to describe the cathedral. Getting him to draw with him allows the narrator to gain insight; something I think Robert knew would happen when he asked him to close his eyes on page 76. It is through these recognitions that we can see the narrator’s ability to change from an egotistical misogynist who can only perceive physical sight and value into a man who recognizes things for what they truly

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