Rear Window Essay

simply there to be “looked at and displayed” (Mulvey 64). Moreover, Hitchcock’s Rear Window (US, 1954) and Céline

Rear Window (1954) and Dial M for Murder (1954) both cover a narrative about a man wanting to kill his wife but from two different perspectives. Director Alfred Hitchcock’s films, Rear Window and Dial M for Murder both utilize excellent visual imagery. Rear Window follows a newspaper photographer, L.B. ‘Jeff’ Jefferies (James Stewart), who has a broken leg and passes the time by watching his neighbors. Jeff observes many neighbors including a jewelry salesman, Lars Thorwald (Raymond Burr) who has

Next, the camera pulls back inside the window and the audience is introduced with medium close-up shot to their sleeping protagonist, whose face is dripping with sweat. The camera then pans towards his broken leg, encased in a white cast with the words ‘Here lie the broken bones of L.B. Jefferies’

Mulvey approaches the concept of psychoanalysis as the idea of a political weapon, which is then used in the way to expose patriarchal unconsciousness in both films and how certain structures in society are formed. A woman can not be the maker of meaning, but can only be the bearer of viewership within this structure, she is the object that is to be viewed in an erotic form. To be the object of pleasure for the male gaze, men take this satisfaction from watching to fulfill their own innate sexual

Between the time of the film Rear Window was released in 1954, under direction of Alfred Hitchcock, and the 2007 film Disturbia, directed by D.J. Caruso, our country has experienced many cultural changes over those 53 years we have seen an increase in violence, huge advancement in technology, and the increased use of sexuality, because of the media coverage of the Vietnam War, the inventing of the microchip and computer, and the end of the Hays Code in 1968. In Rear Window and Disturbia, both Jeff,

Within the 1954 film “Rear Window” directed by Alfred Hitchcock, he conveys that romantic relationships are restrictive for certain individuals. Hitchcock explores the arrangement of marriage during the old days in Hollywood through the protagonist LB “Jeff” Jefferies views through the rear window. It is also with Jeff’s personal relationships with his girlfriend, Lisa, and the nurse, Stella, that the female perspective of a relationship is challenged by the position Jeff is in. In a world where

Novak Introduction to Film Studies November 1st, 2017 Voyeurism: Helping to Solve Murders Since 1954 Alfred Hitchcock has always been known for his suspenseful and action filled films. His 1954 production of the movie Rear Window is no contradiction to that. Throughout Rear Window, many different motifs and themes are splayed out for the audience to dwell upon. One well seen theme is voyeurism. Within the movie, the audience is challenged with this theme, and left with the uncertainty about the power

story, and both Kazan and Hitchcock take advantage of that by allowing those characters to provide depth to their respective worlds. Rear Window, directed by Alfred

relevant to the viewers life, or in some cases Hitchcock’s own life. There is an underlying theme in many of his works, sexual tension. This tension was often the result of his relationship with the actors. The sexual tensions found in the film Rear Window and other films, are not only a reflection of the characters emotions, but also what appears to be Hitchcocks own impulses and desires. This theme is present through a plethora of his films, but most

English II 07 November 2016 Word Count: 505 Spying to Catch a Murderer? Have you ever spied on your neighbors? Of course you have! Everyone is guilty of this at one point or another in their lives. This is the case in Alfred Hitchcock’s 1954 film, Rear Window. The main character, L.B. Jeffries, had broken his leg and has become immobile and has nothing to do but watch his neighbors. Everything is normal until he suspects his neighbor, Mr. Lars Thorwald, has murdered his wife, Mrs. Anna Thorwald. Jeffries