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The Writer's Diet Analysis

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The Writer’s Diet
Helen Sword, in her book, dispenses with vivid and elaborate explanations accompanied with succinct analysis. The author provides the reader with an easy-to-follow set of writing principles. What is perceive to be the most significant take-away ideas are the use active verbs at the appropriate time, the application of concrete language instead of vague abstractions, and avoiding long strings of prepositional phrases. Additionally, I value the concepts of employing adjectives and adverbs only when they are applicable in contributing something new to the meaning of a sentence. Another important idea presented by Sword is that of reducing one’s dependence on what she refers to as “waste words”: it, this, that, and there (Sword, …show more content…

However, it is also true that good writing cannot possibly be reduced to the size of a usual numerical formula. At least that is how most writers protest. Similarly, an electronic tool is hard to trust for making judgments about a matter as complex and subjective as style of writing.
By reading the book, I could not agree more with that premise. That is why WritersDiet Test does not make any effort or an attempt to measure for vividness of expression, the individual’s clarity of thought, the overall fluidity of style, and any other crucial factor that matter in making writing better. In fact, the author makes it clear that the purpose of the test is modest since it only seeks to alert writers to some of the sentence-level grammatical features that most frequently weigh down academic prose.
Additionally, I find the book as providing that a magic balance of nouns, verbs, and modifiers will never produce good writing. To support this argument, Sword maintains that a good writing comes from clarity of the writer’s thought, a good sense the manner in which to use language, and a capacity for …show more content…

Too many books on writing well are far too long and far too detailed. However, this is not with the case of Sword since she makes the point that writing can be 'fat' only when the writer employs certain often unnecessary words that she refers to as “waste words”.” According to her, writing can also be ‘fat’ when the writer uses overabundance of prepositions, unnecessary adjectives, and poor choice of adverbs. I also like the manner in which Swords points out that some writers ignore all these 'rules' at times and write masterpieces. Sword moves on to present Shakespeare and Jane Austin, just to name two, as perfect examples of such

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