The Tragedy Of Hamlet By William Shakespeare

Hamlet's rant to persuade her that Claudius is a bad man and the murderer of his father depicts his disrespect to his mother. For instance, he tells her, "You go not till I set you up a glass / Where you may see the inmost part of you." (III.iv.20-21) He is threatening his own mother! Later, he addresses her as "thou wretched, rash, intruding fool" (III.iv.32) Even though Gertrude's lust for Claudius aggravates him, Hamlet fails to show even the most fundamental respect to his superior. The relationship is full of disloyalty and distrust from Gertrude's part. First, she appeases, "Be thou assured... I have no life to breathe what thou hast said to me." (III.iv.201-203) It is assumed that she will listen to Hamlet and stay away from Claudius. However, in the next act, she displays her true loyalty to her husband, telling him that Hamlet is "in this brainish apprehension kills / The unseen good old man." (IV.I.12-13) This is partially contributed by her observations of her son talking to a ghost that she doesn't see. Polonius' death causes her to think Hamlet is dangerous, further driving the two apart. Her distrust to her son harms him by further solidifying Claudius' plan to execute him in England because the king sees him as a threat to the throne who is capable of killing. In the end, Hamlet and Gertrude's relationship take a bittersweet ending.

By the end of this scene, however, we see that she is penitent and appears willing to help her son. This exhibits how easily Gertrude is persuaded by Hamlet's incessant persistence, and emphasises her tendency to be dominated by, and mistreated by men, even to the extent of her own son. Gertrude's mistreatment is also obvious within her relationship to Claudius. For example, When Gertrude tells Claudius of Polonius' slaughter by Hamlet, rather than fret about the danger posed to his wife; he remarks that has he "been there," it would have been dangerous to him.

Similar to Ophelia, Gertrude experiences her son’s ill demeanor when during their conversation in her bedroom. After killing Polonius, Gertrude responds with, “O, what rash and bloody deed this is” (3.4.33), a statement which perfectly captures the crime that Hamlet committed. Again Hamlet takes

In William Shakespeare’s tragic play Hamlet, the audience can view Gertrude as innocent or guilty of various crimes. However, Shakespeare uses Gertrude’s ignorance, symbols, and her actions to portray her as innocent. Gertrude condones spying on Hamlet and marries her husband’s murderer, but she has no idea that Claudius killed King Hamlet and agrees that they must watch Hamlet closely because she is worried about him.

The nature of Shakespeare’s plays, with its notable lack of stage directions, gives way to multiple different interpretations of the characters, plot, and even of the purpose of the play itself. The character of Gertrude is no exception. Gertrude’s character and motives, being left ambiguous, have been interpreted in many different ways in various productions of Hamlet. Was she implicit in the death of King Hamlet, or was she merely a clueless bystander? Did she drink the poison as an act of motherly self-sacrifice, or was it an accidental tragedy? Zefferelli’s Hamlet (1990) and Almereyda’s Hamlet (2000) provide two different interpretations on Gertrude’s characterization. In particular, there exist substantial differences in their renditions of Gertrude’s death—while Almereyda portrays her death as a noble suicide, Zefferelli paints her death as a by-product of her unceasing lust for pleasure. Furthermore, in that scene, we also notice a difference in Hamlet’s attitude towards Gertrude. By analyzing these points along with other scenes within the context of the entire film, we manage to develop an understanding of Almereyda’s and Zefferelli’s view on Gertrude and how use that to develop the tragic conclusion of the final scene.

The queen obviously considers her son’s dejection to result from his father’s demise. Angela Pitt considers Gertrude “a kindly, slow-witted, rather self-indulgent woman. . . .” (47). She joins in with the king in requesting Hamlet’s stay in Elsinore rather than returning to Wittenberg to study. Respectfully the son replies, “I shall in all my best obey you, madam.” So at the outset the audience notes a decidedly good relationship between Gertrude and those about her in the drama, even though Hamlet’s “suit of mourning has been a visible and public protest against the royal marriage, a protest in which he is completely alone, and in which he has hurt his mother” (Burton “Hamlet”). Hamlet’s first soliloquy expresses his anger at the quickness of his mother’s marriage to Claudius, an “o’erhasty marriage” (Gordon 128), and its incestuousness since it is between family: “Frailty, thy name is woman! . . . .” Rebecca Smith interprets his anti-motherly feelings: “Hamlet’s violent emotions toward his mother are obvious from his first soliloquy, in which 23 of the 31 lines express his anger and disgust at what he perceives to be Gertrude’s weakness, insensitivity, and, most important, bestiality” (80).

Hamlet also manages to both degrade himself and his uncle in another comparison, saying his uncle was “no more like my father / Than I to Hercules” (1.2.152-3). Though such strong comparisons to romanticized and mythical figures could are partially simple hyperbole, they also underscore some of the insecurity in Hamlet’s character. The value in recognizing this comes as Hamlet descends into his madness, whether real or imaginary, where the reader can see that, even before Hamlet deliberately decides to appear to be “mad” he has certain issues and insecurities with his own feelings. Even more significantly, this passage begins to elaborate on Hamlet’s relationship with his mother. Gertrude represents an interesting dilemma for the deconstructionist critic, as she does not create or involve herself in many conflicts or oppositions. She manages to significantly affect the plot and the subtext of the play while seeming almost insignificant as a character at first glance through the deconstructionist lens. She does not overtly affect events, and often plays the victim of circumstance. This very insignificance creates an issue for Hamlet, who is clearly quite disgusted with her behavior. He vehemently disapproves of the speed of her marriage to Claudius, saying that “a beast, that wants discourse of reason, / Would have mourned longer” (1.2.150-1), but can find no other strong criticism of her other than how fast she remarried. This strikes at the

Shakespeare applies characterization of Queen Gertrude to display Hamlet's feeling of betrayal and anger towards her. Hamlet adored his father and was dissatisfied that his mother appeared as if she was not in the similar depressive state that Hamlet was in. Hamlet began to feel the betrayal because two months after her husband’s death, her and Claudius decide to get married. Hamlet believed his mother

Naturally, the initial reaction of Gertrude was extremely melodramatic, which is portrayed as her being weak and emotional. Hamlet automatically replies to Gertrude’s emotional outburst by accusing her of the “bloody deed” of assisting Claudius with killing the king, who also happens to be Hamlet’s father and Gertrude’s former husband. By saying “almost as bad, good mother, as kill a king and marry with his brother,” Hamlet points out that she acts as if she is such a wonderful mother, while in fact she is a murderer. This shows the categorization of Gertrude that occurs, the assumption that she could only be either a “Mary” or an

Not only does Gertrude betray Hamlet by making him further depressed, but she also takes away the possibility of Hamlet becoming King. While she loves Hamlet, she loves her ex-husband’s murderer more. Hamlet wants to become King after his father’s death, but is no longer able to, because Claudius “popped in between the election and my hopes” (5.2.65). Instead of fulfilling her son’s hopes and dreams, she supports Claudius’ desire for the throne by marrying him. Thus, this makes Hamlet develop hatred towards his uncle Claudius and Gertrude, destructing the love between the family.

(1.5.9) The story indicated that if Queen Gertrude was not as virtuous as previously thought than her lack of virtuosity, integrity and purity may make her remarriage and her previous marriage a fabrication and a façade. Like Hamlet, the ghost dwells on Gertrude's "seeming" virtue. The ghost does not give clear concise information but instead alludes to the fact Gertrude may have cheated on him when they were married or the ghost may merely see Gertrude’s remarriage as a betrayal. Either way, the ghost implies that Gertrude's remarriage retroactively makes their marriage into a sham. Due to his concerns, Hamlet becomes nearly obsessed with Gertrude’s true feelings towards Hamlets father, as well as determined to discover if Gertrude was faithful to Hamlets father throughout their marriage. Determined to resolve his questions, Hamlet plans to use deception to figure out the level of Gertrude’s deception. The plan Hamlet creates is to hurt Gertrude with his words and verbally berate her. “Let me be cruel, not unnatural: I will speak daggers to her, but use none; My tongue and soul in this be hypocrites; How in my words soever she be shent, To give them seals never, my soul, consent!” (3.2.384-91) The ghost posed doubt in Hamlets mind about Gertrude’s loyalty and virtue, and Hamlet becomes obsessive about resolving his confusion around this. He will stop at nothing, and spare all costs, to determine the truth in an attempt to expose others hidden truths. Unfortunately, in his quest to expose others, he also exposes his own hidden weaknesses and

William Shakespeare’s play Hamlet is perhaps one of his most intriguing and scandalous pieces of work. One character who is liable for much of this excitement and outrage is Hamlet’s mother, Queen Gertrude. To some readers and critics, Gertrude is conceived as an erratic, superficial and sensual woman. Others discern the Queen as an earnest, intellectual and sagacious woman whose tragic fault is her yearning for sexual satisfaction. Throughout the text, there are several legitimate arguments for both sides, but in the end, Hamlet seems to sum up the Queen’s true persona with the words “Frailty, thy name is woman”. Evidence of Gertrude’s true nature can be found in many instances through out the play such

Somewhere between the years of 1599 and 1602, William Shakespeare wrote his longest, most influential and powerful tragedy, The Tragedy of Hamlet, Prince of Denmark. Set in the Kingdom of Denmark, the play stages the revenge that a young prince seeks against his uncle for murdering his father, inheriting the throne, and subsequently marrying his mother.

Someone might wonder whether Gertrude really is concealing some knowledge about a murder, but in Act II, scene 2, there is evidence that Gertrude really hasn't taken part in the plot. Hamlet suspects her of being an accomplice with Claudius in his father's murder. It's too bad, therefore, that Hamlet doesn't hear Gertrude's private conversation with Claudius in which she gives her theory about Hamlet's anger:

The play Hamlet, written by William Shakespeare, is set in an anti-feminist era. Women traditionally have been seen inferior to men. This was an intellectual as well as a physical issue. Women were to raise a family, cook, clean, be pretty and not be smarter than any man. The main characters Ophelia and Gertrude are both depicted with these characteristics as powerless and frail people. This illustration of helpless women affects one's understanding of what their true selves could be.