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The Hollywood Film: The Convention Of Happy Ending

Decent Essays

Carl Plantinga says that in Hollywood films “the convention of the happy ending makes it likely that empathy will bring the rewards of a favor-able outcome for the protagonists; thus our emotional investment will likely yield psychologically pleasing results”. It is true that if you create a story with likeable characters and a pleasing outcome, you are more likely to create a more enjoyable experience based on the emotional attachments an audience may or may not have. If the phrase is not self-explanatory already, the ‘happy ending’ must require that either a film’s characters, the audience or both are left ‘happy’ by the conclusion. Characters’ happiness and audiences’ happiness are completely different in this case, even if they overlap in occurrence. A question that the author raises in this chapter is, “do ‘happy endings’ occur when a film leaves its protagonist in a state of happiness?” In my opinion, I agree with James
MacDowell, the author of this book, when he says that both audience and protagonist need to be in sync to have a cohesive and true …show more content…

Most scholars refer to as a male and female coming together in a romantic happy ending as a closed narrative. This is not to say that some of the greatest known films in cinema have narrative that end in such a manor. It is however easy to see an initial conflict evolve into a romance, thus disregarding the main conflict in general. We see this in the film Baby Driver (2017) by Edgar Wright. We are presented with such an intriguing conflict that falls behind the ‘happy ending’ trope. Such choices can make a story feel forced, unnatural or even lengthy in run-time. I do feel that it is true that our own familiarity with the final couple likely ensures that it is part of the rhetoric to an ending. It seems to be a way to entice viewers to feel something most everyone has felt in one way or another: love and

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