The Fall Of The House Of Usher Essay

In “Fall of the House of Usher”, Edgar Allan Poe uses parallels between Roderick Usher and the House to illustrate how one affects the other. The House particularly compares to the physical appearance with Roderick Usher. To illustrate, Rodericks physical appearance is crumbling, much like the Houses “crumbling condition of the individual stones” (Poe 323). With human like qualities, the Houses “vacant eyelike windows” are a direct parallel to Rodericks “large eye, liquid and luminous” (Poe 322-324). In other words, the Usher family is so connected to their home that Roderick begins to physically look like the worn down, dark and mysterious House that is his abode. Not only does the House have similar physical parallels, but Rodericks

With our imagination we can have many thoughts in our mind, we can think of how we want to be in the future. Everybody in this world has their own way of thinking. “In the Gothic stories, “The Fall of The House of Usher written by Edgar Allan Poe and “House Taken Over” by Julio Cortazar the authors write about how both stories have some type of interest that makes the reader want to be very eager about the story. The imagination can overcome reason through issues such as: fear, paranoid, delusion, etc. The House of The Fall of Usher talks about how Mr. Usher is trying to get over his “dead” sister and the narrator is trying to help him. They begin to hear things inside the house, and realize that the sister was alive at the end. House Taken Over about a bother and sister that share a house that’s been passed over from previous family members and normally they have a typical daily routine but at night they come across “spooky” occasions.

Corman’s film implied that the house itself was the monster. Viewers saw this throughout the film, by the objects falling mysteriously, the houses’ constant trembling, the eerie sounds etc. The role of the narrator was eliminated in the film, so the viewers had to make conclusions and descriptions based on what the viewers might have seen. This is a challenging task because the viewers were so caught up in the movie that the viewers might have not noticed a few things which would have otherwise been explained and described in the short story. In the short story Roderick asked for Phillip, through a letter. Roderick was sick and wanted comfort and company. Poe’s story was captivating and creepy but Corman changed the story and made Madeline and Phillip lovers. The story and the film both depicted the siblings’ illness the same way. The film also implied that Roderick may have viewed Philip as a romantic rival, which suggested an incestuous relationship between Madeline and Roderick. They were not regarded as twins in the film and were not at all similar. In the film, Phillip was preoccupied with Madeline and fear. In the story, he spent most of his time reading, painting, and listening to Roderick’s music. His whole purpose of being there was to cheer Roderick up. In the story, Madeline was barely mentioned or known of until the end. In the film, she was a critical character and essential to the plot of the movie. The foreshadowing in the film was much more

A concern of Roderick Usher is the waning health of his twin sister, Lady Madeline. Usher explains to his dear friend, the narrator, that she is the only surviving relative he has. He further explains that his sister’s health condition baffles any physician that has come to the house. After a few days of the narrator’s visit, Lady Madeline dies. Usher explains to the narrator that he wishes to preserve her body by placing her into the underground crypt of the house. I believe that Poe is trying to use symbolism in Lady Madeline’s death in relation to Roderick’s faltering mental stability. For example, Lady Madeline represents a part of Usher that he has lost; a part of him that has become so strange and frightening to him. When he and the narrator place Lady Madeline’s body into the crypt, it is a desperate act to help preserve a part of himself.

If Madeline was indeed a figment of Roderick’s imagination, Poe is here exploring the difference between the mental and physical self, and the importance that the two are similar.

As with many of Edgar Allan Poe's pieces, "The Fall of the House of Usher" falls within the definition of American Gothic Literature. According to Prentice Hall Literature, American Gothic Literature is characterized by a bleak or remote setting, macabre or violent incidents, characters being in psychological or physical torment, or a supernatural or otherworldly involvement (311). A story containing these attributes can result in a very frightening or morbid read. In all probability, the reason Poe's stories were written in this fashion is that his personal life was fraught with depression, internal agony, and despair. Evidently this is reflected in "The Fall of the House of Usher." Conjointly, Edgar Allan Poe's "The

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.

Madeline, who is Roderick’s sister and wife, represents the incestuous romance, which connects to Poe’s love life with his young cousin. Brett Zimmerman makes the connection with the statement of “the In light of our new understanding of Madeline as the allegorical-phrenological representative of perverse sexuality, we may have to revise our understanding of Poe's Platonic and idolatrous attitudes toward women.” The image of incest is again repeated with the reflection on the lake, where the twins are on top of one another, only Madeline is weaker than Roderick just like the reflection. Brett Zimmerman displays this when he writes “the narrator has already experienced a visual analogue of the sister atop the brother in the image of the House astride its reflection in the tarn.” Critics consider the house itself to symbolize Roderick, while the paler, weaker reflection represents Madeline. Madeline represents the incestuous romance, the bigotry of Poe’s time, and the constant decay of households he shared with the women in his life.

In the story “ The Fall of the House of Usher” by Edgar Allan Poe, has an American romanticism with its characters. Edgar Allan Poe is considered a Dark Romanticism because of the way he writes his poems and short stories centered around the concept of evil human nature, darkness, and death. Roderick and Madeline Usher were said to be related during the middle of the story; they were twins. It explained how they were sick, Roderick had a mental disorder and Madeline was physically sick. As the narrator enters the desolate house, he finds both Roderick and his sister in a severe state of depression and they both appear sick like. The narrator tries to make Roderick feel better, but Roderick wouldn’t budge. Roderick thinks that the house is making him sick and making him to appear crazy.

Incest is an issue throughout the story and Poe constantly used symbolism in the story to relate back to incest. Poe uses symbolism to expose character traits throughout the story, from the

Roderick expresses his love for his sister that he shades emotions towards her. He also describes how she is very ill and he would not know what he would do with her. Madeline is overcome by her illness and could have been with drove her into the state of being dead-like. The next time, that Madeline is brought up, she has died and the narrator and Roderick are burning her in the Usher's underground tomb. The mansion is a prison but also a sanctuary for Madeline. She has spent her birth to death there. Never mingling with anyone else but her brother that would have soon been her mate. Within their family line of incest, it was in their fate to fall for each

The nature of their illnesses also reflect the gender roles of the era. While Roderick’s illness amplifies his senses, Madeline’s disease, described as “a settle apathy, a gradual wasting away of the person”, dampens hers, reducing her into an ‘barely-there’, almost ghostly, individual. Roderick is able to isolate himself from the outside world to spare him from the torture

The long family line has imprinted its aura onto the house, and in turn, the house conduces the inhabitants towards a predetermined lifestyle. The Usher family, as the narrator says, despite its age, has always been feeble, because it has never been able to generate an enduring branch. Just as the family, the house has a sturdy appearance, given by its endurance through time, but it is marked by decay and so are its surroundings: the crumbled stones, the trees and the spooky tarn all add to the oppressive, uncanny atmosphere. Just as the individual parts which shape the domain are marked by decomposition, so is each member of the family plagued by some form of disintegration.