Temptation in Where Are You Going , Where Are you Been? Essay

In 1966, Joyce Carol Oates published her short story “Where Are You Going, Where Have You Been?”. Oates was inspired to write this story after reading about a serial killer that was referred to as “The Pied Piper of Tucson”. Oates was disturbed by the number of teenagers that this killer was able to persuade to help him and keep his secrets (Oates 1). Oates uses irony, imagery, and symbolism to support her theme of evil in this short story.

One of the symbols in the story are the sunglasses Arnold wears. He wears them to hide himself from the real world and to hide what his intentions are to do with Connie once she gets in the car to go for a ride with him. Arnold Friend himself also plays a symbol in the story. When you see the name, “Arnold Friend” and take the R out you will get “An old friend” or if you take both R’s out you will get “An Old Fiend” that is referring to the devil. He keeps talking to Connie trying to lure her into the vehicle stating everything will be ok and her family will not be home anytime soon because he knows exactly what they are doing at the exact moment. The text also says Arnold stands up in his boots and wobbles as if his boots were stuffed to make him taller and not all the way in.

Through plot, Oates demonstrates how Arnold Friend can be seen as a symbolic Satan. Plot starts when Arnold makes sure to tell Connie he is interested in her as he says,“Gonna get you baby” (Oates 1). Connie is in a drive-in restaurant for an older crowd when Arnold sees her for the first time. Once Connie leaves the drive-in dinner with a boy named Eddie, Arnold decides to make a move on Connie. Arnold uses foreshadowing to let her know he will meet her again. Just as Arnold says he is going to get Connie, he shows up in her driveway, creating a creepy situation. That Sunday afternoon, Connie is alone in her house while her parents and sister are on a picnic at one of their neighbor’s house, Arnold decides to use this opportunity to make his

is a pretty fifteen year-old girl, beginning the process of maturation into adulthood. She begins to

Urbanski, Marie. "Existential Allegory: Joyce Carol Oates 'Where Are You Going, Where Have You Been?" Studies in Short Fiction 11 (1978): 200-03. Print.

First, Arnold Friend’s physical traits portray him as Satan. Oates says that “There were two boys in the car and now she recognized the driver: he had shaggy, shabby

"conned" into leaving with Arnold Friend, whose name becomes "An Old Friend" i.e. the devil,

In conclusion, the search for independence caused the world to change in the late 1960’s and early 1970’s. With many things going on with drugs, alcohol, and sex, it is easy to see why Joyce Carol Oates chose this theme for Where Are You Going, Where Have You Been? Connie fell in to the trap of the sexual desires that she wanted for herself, only with it ending badly. Her maturation along with sexual radicalism and capitalism sexually repressed the masses in the interests of its life negating and exploitative goals. With all of this

Joyce Carol Oates' short story "Where are you going? Where have you been?" 'runneth over' with Biblical allusion and symbolism. The symbols of Arnold Friend, his disguise, and the music that runs through the story contribute to an overall feeling of devilishness, deception, and unease.

Arnold Friend is an ironic name for this character because he isn’t Connie’s friend, she doesn’t even know him. And if you say the name out loud, it sounds like “are no friend” He proves that he can’t be a friend in the first place, he left his so-called friend in the car and talked to him like he meant nothing to him.

Joyce Carol Oates is an excellent writer who is well-known for her work. In her short story, “Where Are You Going, Where Have You Been?” she managed to deliver a piece that is pleasant to read, but filled with evil. This essay will discuss, the form which the evil takes, its origin, and how this story is aesthetically “beautiful” despite that evil.

The main conflict Connie faces in the story is Arnold Friend himself, a satanic figure preying on the young and naive. Initially Friend seems desirable to Connie, he seems like a suave mature figure, from afar, but as he draws closer to her Connie begins to see his flaws and what lies

In the story, “Where are you Going, Where Have you Been?” the author, Joyce Carol Oates, uses literary devices to convey a message about the loss of innocence. To be more specific, Oates’s characterization of the protagonist, Connie, specifically shows the actions leading to her innocence being taken from her. The literary device of characterization gives a clear picture Oates thoughts at the time she wrote the story, expressing concern for young girls who are at risk of having their innocence taken from them.

Arnold Friend is a seductive man, or should I say ArN OLD FrIEND with a dark appearance hiding something deeper, something evil? Arnold, posing as a teen-age boy, is none other than the devil himself, which shows in his words and actions, and in his physical traits. From the very beginning of, Joyce Carol Oates', "Where are you going, Where Have you been?" a certain number of religious references are interspersed throughout. These references help to maintain a biblical feeling, as well as to set a path for Friend's entry into the story. They also foreshadow that; powers beyond a human level will be presented. Friend looks like one person in the beginning, but as the story unfolds, he is shown as someone else or

There are some stories that capture the reader’s attention and which keep us riveted from the beginning to the ultimate line of the tale. ‘’Where Are You Going, Where Have You Been?’’, a short story written by Joyce Carol Oates in 1966, is one of those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ‘’It’s all over Now, Baby Blue,’’ the author describes the main character as a 15-year-old girl named ‘’ Connie’’, who is obsessed by her beauty and does not get along with her family. The heroine of the story ‘’Connie,’’ engages in an adolescent rebellion against her entourage by acting to appear older. This increases her vulnerability through the story and at the end