No one is quite sure at what exact time reading became more for pleasure than for knowledge, but today, novels are expected to be entertaining and used to relax the mind. What an author cannot do to make their writing entertaining is to sit in their offices all day and churn out page by page of material. Authors must first feel the emotions they describe in order to enable the reader to relate to the text. In order to write an effective piece of writing, an author must first experience and understand their own lives and apply it to their writing in order to be engaging and of use to their reader. Authors can rarely fake effective emotions and portray realistic scenarios in their writing if they have nothing in their brain to draw from, but …show more content…
In her essay, Rosellen Brown expands on the idea that “to me, all reading is escape reading”(Brown 30). Authors cannot make this generalization, even for the fiction genre. Some readers read to understand their own emotions by reading about a situation similar to theirs, and even use skills they read in the book in their own lives. Books can be read for their knowledge, or just for some evidence to back a point. The author is supporting her own bias with this statement, not explaining the truth or even elaborating on how she personally writes. People read about events across the world to stay informed, they read a piece of text that opposes their views to broaden their horizons, and they read these things because they care about them, not because they need to escape. Of course, many novels are used specifically for that purpose, an outlet for entertainment that requires some thinking but is still relatable. Brown does not distinguish escape reading from the various other purposes of reading, and since her essay is backing her point of escape reading, it can mislead authors looking for help and is an inaccurate portrayal of many
Immediately after we are born, we start picking up sounds; the sound of our mother’s voice, the music playing in the elevator on the way to the car, and the happy cheers from a small child seeing their new sibling for the first time. We are always listening–picking up on conversations not meant for our ears, eavesdropping on the gossip of the adult world, and finding the meaning in the portentous silence. From all these auditory stimuli, we piece together the world around us to better understand what is happening to us, around us, and the secret happenings that were not for us to know. Great writers are the ones who listen and say nothing–who take it all in and save their classified information for a day when all the right words flow and form one epic story of the wondrous world we live in.
Flower believes that a competent writer must achieve to close the gap between themselves and the reader. The writer cannot close on themselves because they must reach their own knowledge. The writer determines the reader’s needs are by adapting to the reader’s “language” and knowledge on particular subjects. In addition, the writer must contextualize to help solve a problem or to develop an opinion. In essence, the writer has to suite the reader's attitude and knowledge for them to create an imagine of what the writer’s overall meaning and lesson.
This chapter is important in a beginning writer’s process because it helps them to understand the basis of writing, connecting with the reader.
Based on his argument using a piece of story from his past, the writer conceptually supported his explanatory point of views on how skills can be developed with a passion of understanding the writer’s intention. I believe that the writer of this article addressed fundamental thoughts that should be useful in the process of reading as a writer, and on how to become a better writer.
Writing is a powerful tool for communication and connection. As an extension and expression of the mind, writing is as much about the mental processes of the author as it is about the final marks laid to paper. As we write, we hold in mind our own thoughts on the work, anticipate the reader’s thoughts, and think both in concrete and abstract ways in order to accomplish the task at hand. Whether an academic research paper, a novel, or text message to friends, writing seeks to engage, persuade, or impress concepts upon an audience. Like language and other art forms in general, the practice of writing is ever-evolving and is subject to cultural and contextual influence, expectations, and conventions. Each writer holds a theory
For decades, writing has been a way for authors to create byproducts of themselves and portray their alike qualities within what the outside world would like to consider fictional characters. It’s not uncommon to the writing world of novels and prestigious narratives – take Stephen King for example: although he didn’t hide his motives as he used his original name in “Songs of Susannah,” he introduced himself into the plot nonetheless, creating a familiar atmosphere where realism was incorporated into a dream. When reading short stories like ‘Red Cranes’ by Jacey Choy and ‘The Firefly Hunt’ by Jun’ichiro Tanizaki, the audience can only be led to imagine if the authors have placed themselves in a position to empathize with their creations.
In doing this, if the author is effective in their craft, they can appeal to the reader on an
Orhan Pamuk once said, “The writer's secret is not inspiration - for it is never clear where it comes from - it is his stubbornness, his patience.” The writer’s general purpose is to determine the expertise that he wants to apply in his writing. The writer’s purpose and organization of writing is to persuade, entertain, inform, and draws the reader’s attention to the information. In the same way, the readers’ goals are reading the content, of seeking information, and increasing knowledge through reading. In these three articles, the authors have specific purpose and discipline the specific futures, and the reader's goal is to collect the noteworthy information. The first article, “The Nature of
Everyone knows what writing is to one extent or another, but we all have different definitions of how it should be done and varying degrees of seriousness about the art. We all have a process of writing, but each is unique to ourselves and our own experiences. Annie Dillard and Stephen King are two well known authors who have published many pieces, two of which describe how they view the writing process and let their readers get a peek of what goes on through their minds when they write. These two pieces are Dillard’s The Writing Life and King’s “What Writing Is.”
In literary education, from childhood to maturity, individuals are taught how to write not to improve themselves as critical thinkers, but to fulfill the requirements given to them in a prompt. Whether to analyze or argue, this form of writing has led to a cease of literary improvement in students today, making many question the effectiveness of writing classes. Mike Bunns, in his article “To Read like a Writer”, explores this topic and stresses the necessity for young readers to critically examine the author’s choices in order to improve their own pieces of work. Bunns effectively argues to his audience of college students that improved comprehension comes from focusing on the rhetorical choices authors decide to make in their compositions by tying personal narratives with repetitive questioning throughout his article.
Writing may be an enthralling experience for one and a clever way to decompress for another. In general, however, writing has different purposes for a variety of people. “Why I Write,” written in the late 20th century by Terry Tempest Williams, describes various reasons for writing narrated from a female’s perspective. The short essay begins in the middle of the night with a woman engulfed in her own thoughts. She abruptly goes forth by reciting the multiple reasons why she continues to write in her life. Through a variety of rhetorical devices such as repetition, imagery, analogies, and symbolism, Terry Tempest Williams produces an elegant piece of writing that offers the audience insight into the narrator’s life and forces the audience to have empathy for the narrator with the situation she is incurring.
Throughout my educational career, I was taught to be critical, but not analytical to a great extend. In high school, I was never taught to think about why an author writes the way he or she intended. Rather, I was only to focus on the analysis of the novel, itself. However, this course has extended my knowledge in that it allows me to think how and why a novel is written the way it is. I also learned that every author has their own ways of communicating to the intended audience. They do so by manipulating pathos, ethos, and logos, which is the Rhetorical Triangle.
author will create a character’s emotions to demonstrate their point to help the reader understand
Writing shouldn’t shout ideas or truths at us, it should want to have the ability to be deciphered. Archibald MacLeish’s poem “Ars Poetica” says “A poem should be palpable and mute as a globed fruit,” palpable means the ability to be touched or felt. Writing needs that emotion in order for a reader to listen— the ability to convey feeling while still having meaning. Feeling will drive the reader to
Over the past month, we have been studying the concept of reading and writing in different communities. To assess this, we have read two different texts. Richard Rodriguez’s the achievement of desire”, from his autobiography “Hunger of Memory”; and Lucille McCarthy’s “A Stranger in Strange Lands: A College Student Writing across the Curriculum” from “Research in the Teaching of English”. Both answer key questions regarding what it takes to become a great reader and writer, however, from the reading that I have done, each one only answers one part of the question. Rodriguez’s main focus is in the aspect of reading, whereas McCarthy mainly focuses on the writing portion. Both do a decent job of analyzing and putting forth a view of how they believe a person can best perform in these environments. This then allows us to use their concepts and create our own version, based on their points of view. But why should we care? Most people at this level of academia will have developed a system of writing that works for them, and will have a difficult time breaking from it if they’re process doesn’t meet the criteria that Rodriguez, and McCarthy put forth. The reason it’s so important is because of implications these ideas have. Both authors put forth concepts that are indirectly related to one another and that are highly beneficial to all who will apply them. They will force you to conform to new environments in order to succeed, this in turn will make you more