Beowulf through the eyes of Tolkien Trilogies like the Lord of The Rings and the Hobbit have had great historical and linguistic significance in the literary world, capturing the attention of many. However, the aesthetic and craft-like qualities of these works are at times ignored and not appreciated enough to create more interest. For a literary giant like J.R.R. Tolkien, his speech of Beowulf being noteworthy the way it is because of its artistic characteristics are only accomplished by the use of specific rhetorical devices to achieve his point. Taken from his essay “Beowulf:The Monsters and the Critics.” presented at the 1936 British Academy Lecture, he first starts off by presenting the arguments that have been formed about Beowulf and continues to counter argue them in order to make a stronger and more elaborate point, which is enhanced with his use of authoritative language. Tolkien also dives deep into written technique that is embedded into Beowulf, which is accompanied with a artistic-like analysis. In the end, Tolkien is successful in painting a picture to the audience his opinion about Beowulf’s artful qualities, because his effective use of rhetorical strategies throughout creates the poem to be more than a historical epic and piece of fiction.
In starting his lecture, Tolkien lays out criticism that poem has received about placing more importance to non-literary aspects, and counter argues his own opinion to establish that the artful qualities it possesses
Burton Raffel wrote a heroic poem called ‘Beowulf’. Beowulf is a heroic poem about Good versus Evil and Beowulf is the hero. In the heroic poem, Beowulf’s wyrd (fate) is to defeat monsters and save lives and with that brings lof (fame), sometimes to believe in yourself you got to have others to believe in you too, Beowulf and Wiglaf have a comitatus that's hard to break.
Beowulf: A New Telling by Robert Nye, is the story of a hero that overcomes the evil of Cain by admitting to the evil in himself. This epic novel tells of light and dark or good and evil. They also have many moments of horror, disgust, and hero´s. The author shows the evil in men using monsters and truly evil things. Characters in this book include Skyld Sceffling, Hrothgar, Beowulf, Wealhtheow and Unferth. With all of these people, you see the good and bad within them. I think the moral of the story in this book is, we all have light and dark inside us; but it is the
Beowulf does not undergo much character development considering what he goes through. His personality and leadership traits remain static throughout the story unlike most other stories that involve a similar plotline. This both shows great strength as well as the inability to change which is often considered a weakness if this stillness is viewed without context. In the case of Beowulf this primarily brings out his strengths as a hero and allows the story to move at a quicker rate and not focus on character development, but on other aspects of the poem, this being the alliteration and beauty in the writing far beyond the plot itself. Beowulf is a consistently strong warrior that stays honorable through the poem, but just increases his levels of glory through each enemy defeated as well as each year of peace after he attains a full level of sovereignty.
The night after the day of Grendel’s first attack, some of Hrothgar’s warriors fled Herot’s halls. The wisest fled-knowing that if they sought refuge someplace away from Herot,
“No better king had ever lived, no prince so mild, no man so open to his people, so deserving of praise.” This is an ultimate description of the heroic events of Beowulf, an old Anglo-Saxon poem about a warrior who battles and destroys three horrifying monsters. Although written long ago, the emotions expressed within this work, emotions of bravery, valor, and ethics still speak to us centuries later. The anonymous author of the poem convinces us through the masterful use of various literary elements that emphasize its meaning and message. Conflict, imagery and setting are three literary elements that contribute to the effectiveness of the poem.
Symbolism is the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or ideas. Symbolism is one of the most common practices of writing, and has been used for centuries. Symbols can often tell a story better than a human can because of there deeper meaning. When epic poems became popular during the Anglo-Saxon period they were filled with harrowing tales of bravery, and courage. Epic poems are long narrative poems that often have characters facing impossible tasks and still finding courage to defeat them. While many marvel at the original Anglo-Saxon dialect of Beowulf, Seamus Heany's modern English translation allows all readers to enjoy this tale.
Although the author of Beowulf is unknown, his ability to reveal an eternal truth is undeniable. The author uses literary elements such as theme, points-of-view, and symbolism to portray his purpose. Countries and world leaders still struggle with the concepts in Beowulf. Analyzing the deeper meaning of Beowulf will reveal the truth behind the reason for war and conflict.
Beowulf holds a key to understanding how the author can invoke a response from the reader through different narrative forms and the heroic/non heroic trope. The form of the epic poem is used to present the themes of power, war death and life itself in an enhanced way that allows the writer to arouse a particular response from the
Beowulf: A New Telling is a book for people that need reassurance that light will overcome darkness and that we need to accept that we have some darkness inside of us, then our weaknesses can become our strengths. Beowulf has to face many faces of evil, including Grendel, the cruel slimy creature who murders Beowulf’s friends and She, the wife of Cain and malicious monster that lives at the bottom of a pool of blood. He becomes king of Geats and is famous all throughout the land.
Beowulf is an Anglo-Saxon epic that was transmitted verbally for hundreds of years before it was written down. Around the time of its composition, Christianity was beginning to gain prominence in England and was quickly replacing the animistic religion of the Celts. As a result of the dueling religions of the time, the poem includes influences from both Christianity and paganism, leaving its readers to wonder which religion had the most sway over the poet. Beowulf is a fundamentally more Christian epic on account of Beowulf’s resemblances of Jesus Christ, its allusions to the Bible, and its intimation of a supreme, monotheistic religion.
Since it was first discovered and translated, Beowulf has represented one of the finest examples of heroic poetry. As a tale reflecting the noble deeds of a hero, it uniquely expresses the cultural values of the Anglo-Saxons from whom it originated since heroes often do reflect the best of what their culture deems worthwhile. However, modern adaptations of this work express a different set of cultural values; values unique to modern society. When comparing the translated poem, Beowulf, to the 2005 motion picture, Beowulf and Grendel, it is obvious to see that our morals and ideas are reflected on this ancient poem. The movie, Beowulf and Grendel, and the epic, Beowulf, are prime examples of the radical cultural differences that have evolved over time.
In the epic poem, Beowulf, translated by Seamus Heaney, it is said, "Behavior that's admired is the path to power among people" (Beowulf 5). That being stated, it is very apparent throughout the entirety of the story. The main character, Beowulf, quickly comes to a position of power once defeating multiple atrocities and executing numerous heroic deeds. The people in the city admire Beowulf and abide to his ways; but once offered kingship, he declines. Throughout the epic poem, it is obvious that Beowulf would rather be a hero than a king because of the individual representation that comes with it, the rewards, and the self-reliant aspect.
This third comparison will focus on the most famous passage of the poem, which is the culmination of a Hrothgar’s long speech to Beowulf. The main themes are the importance of strength and pride in life, the fragility of life and for the first time, Beowulf is seen here as a human warrior and not for his heroic and divine deeds (lines 1758-1768 in Heaney’s, 1476-1484 in Tolkien’s).
We must dismiss, of course, from mind the notion that Beowulf is a “narrative poem,” that it tells a tale or intends to tell a tale sequentially. The poem “lacks steady advance”: so Klaeber heads a critical section in his edition.
The epic tale of Beowulf was written sometime after his death. In other words, a long time ago during the Anglo-Saxon period. Today, directors in Hollywood did not keep from creating their own rendition of this epic poem As a result, plenty of modern interpretations of Beowulf, such as Sturla Gunnarsson’s Beowulf and Grendel, have been released. Naturally, the cultural values that might be reflected in modern Beowulf renditions will demonstrate a clash with those of the original fifth century Beowulf literature. One reason for this is that in the modern age we value characters with profound characteristics, characters that change due to the challenges they experience; characters that we as the audience can attach to. Flat characters like those of the original Beowulf text are difficult to empathize with since they are not realistic enough for our standards. Due to these differences in culture and values, the Beowulf and Grendel from the original Beowulf text possess definite contrasts when compared with their Beowulf and Grendel counterparts.