Martha Graham Research Paper

Influenced primarily by cultural roots and incredibly opportunity, Dunham had the luxury of studying in the West Indies as well as anthropological study of other cultural style dances. The West Indian experience changed forever the focus of Dunham’s life and caused a profound shift in her career. This initial fieldwork began a lifelong involvement with the people and dance of Haiti. And, importantly for the development of modern dance, her fieldwork began her investigations into a vocabulary of movement that would form the core of the Katherine Dunham Technique. Though many of Dunham’s primary influences lies within her multicultural experiences, Mark Turbyfill also seemed to play a large role in her future dance career, giving her private lessons despite his doubt in the opening of her student company (Kaiso! 187). Katherine Dunham has been list as an influence to “everyone from George Balanchine to Jerome Robbins, Alvin Ailey, Bob Fosse and Twyla Tharp. American dance, including ballet, modern dance, Hollywood and Broadway, would not be the same without her” (Aschenbrenner 226).

Graham started teaching a group of dancers in 1926 who had eventually become interested in her work. That was the start of the Martha Graham Studio. Martha Graham pushed

She later moved back to New York and resigned from Daly's theater company. She began performing on her own with limited success. In 1899, she performed Rubaiyat and shocked the audience with her skimpy costume (it showed her bare arms) and with the movement of her dance (Splatt 34). It was the beginning of her "new dance" and was unlike anything anyone had ever seen before.

Alvin Ailey, a well known second generation American choreographer and activist was born in Rogers, Texas on January 5, 1931. Ailey grew up poor in the small Texas town of Navasota. Although he did not have much growing up, it did not stop his drive to succeed. He became inspired by attending black church services and by the music he heard at the local dance hall. Because of this, Ailey left Texas at the young age of 12 and moved to Los Angeles. While in Los Angeles, Ailey excelled in different subjects such as language and athletics. He became inspired to pursue dancing after seeing the Ballet Russe de Monte Carlo perform. In 1949, at the age of 18, he began to study modern dance with Lester Horton and joined Horton’s dance company the following year. Horton became Ailey 's major influence, as he was his mentor that gave him a foundation and technique that allowed him to grow artistically. Even though he developed his own style, he still used Horton’s technique that emphasized a strong fluid torso and ease of movement. In his years to follow, Ailey founded the Alvin Ailey American Dance Theater in New York in 1958. Ailey’s dance company became very popular because of its multi-racial modern dance ensemble. Due to his modern, jazz and ethnic dance styles, and extensive world tours, Alvin Ailey became one of the leading figures in the 20th century modern dance, making modern dance popular all over the world. Ailey is a significant artist to me because he paved the way for

She was born in 1937 in Jacksonville, Florida, to Billy Daniels a jazz musician. Growing up she was always surrounded by music. She has said that her dad influenced her taste in music from an early age. He would play soothing blues and jazz tunes during her early life. When she was 17, Daniels decided to get her first radio job at a rhythm and blues station in Jacksonville. While at night she would sing at locals nightclubs. Daniels was popular for her

From kindergarten until high school, I was a member of the Jean Wolfmeyer School of Dance. Up to 5 days per week, I would be at the dance studio taking classes, rehearsing for shows, and helping out in the less advanced classes. Regardless of skill level, Jean never hesitated to speak the brutally honest truth about students’ performances and she never settled for anything less than perfection. Jean would often preach that she is only the instruction manual and she cannot make us good dancers, we had to do that for ourselves. However, it was not her critique or teaching alone that motivated dancers to perform well, it was her relentless work ethic and commitment to her studio. As a 70 year-old women, Jean held classes as much as 7 days per

Cathy freeman an Australian track and field athlete was the first ever aboriginal commonwealth games gold medalist. Cathy was born on February 16th 1973, in Slade Point MacKay Queensland. She is now 43 years if age.

Lena Horne was born on June 30, 1917 in Brooklyn, New York. Her parents were Teddy and Edna Scottron Horne. After her father left her at the age of two in order to pursue his gambling career; her mother leaving soon after that to pursue her acting career; she went to live with her grandparents. Through her grandparents influence she became involved with organizations like the NAACP, at an early age.

Early Life: She was born to Charles and Mary Moore in 1752 near Spartanburg, South Carolina. Her family was one of the first to migrate to the Piedmont area of South Carolina.

Graham is considered one of the major and most influential dancers in America. Graham's craving for dance gave her the strength and determination she needed to become one of the best. Her incredible emotions changed the dancing world, not only in her style as a dancer, but in her innovative style of choreography (182).

At the age of 29, Samuel Huntington married Martha Devotion on April 17, 1761. She was the daughter of the Rev. Ebenezer Devotion and Martha Lothrop in Norwich.

She studied different types of dance and incorporated them into her own technique. “Called the matriarch of black dance her groundbreaking repertoire combine innovative interpretation of caribbean dances,traditional ballet, African rituals and African American rhythms to create the Dunham technique” (“Katherine Dunham Biography” 2). Dunham technique is continued to be taught at schools and companies all over the world. Her travels to other countries always inspired her choreography. “She is credited for bringing caribbean and African influences to a European-dominated world” (“Katherine Dunham Biography” 2). Dunham’s use of different world influences innovated dance and created more significant choreography. Dunham not only changed how she danced; she created an entirely new

Billie Holiday was born on April 7, 1915 and died on July 17, 1959. She was born in Philadelphia, Pennsylvania, but she grew up in Baltimore, Maryland. Her parents were Sarah Julia Fagan and Clarence Holiday. Holiday was naturally talented so she did not vet any musical education. She served as an apprentice under famous jazz musicians like Bessie Smith and Louis Armstrong. She first started her career

"American Masters: Martha Graham, About the Dancer." PBS. PBS, 16 Sept. 2005. Web. 17 Nov. 2012. .

Watching the video “A Dancer’s World” made me want to become a professional dancer. Martha Graham’s dancers showed how delicate, defined, sharp, smooth, and astatic a choreography can be. It illustrated how much hard word and dedication it’s needed, but the results will always be beautiful. Also Martha Graham explained how dancing with a partner can be. She also talked about males as dancers, but in her video she demonstrates how men danced with females using physical contact. The techniques and how the piece turns out to be. Both genders jumped a lot through out each piece of performed and that’s something loved. During a piece, there can be both gender dancing separately doing their own thing. The techniques are used differently by males