Rear Window Reflection
I found viewing this video quite interesting. My mother is a huge fan of all Alfred Hitchcock films. So I grew up watching all of his films. One of the many questions that kept occurring to me during the film was: Where was Mrs. Thorwald’s wife? Did he really kill her and why? At the end of the film when Mr. Thorwald confessed, I was still left with why and how. This film left me with many unanswered questions. I found all of the windows very interesting. The two windows that I found interesting was the couple that slept on the balcony and the newlyweds. I was disappointed that more information was not give about these couples. As the movie progressed, I focused on the salesman window, Mr. Thorwald. At first I did not believe that he could/would murder his wife. I went along with
…show more content…
She was focused on spending time with Jeff and to convince him that they should be together. As Jeff explained the jewelry in the purse, Lisa’s position changed. From a woman perceptive, she knew that women would not leave their purse or jewelry behind. Stella, the nurse, has a very “matter of fact” attitude about her. Being nurse she has seen more than most. She believes that anybody is capable of anything. She always believed that Thorwald was capable of murdering his wife. She showed no surprise when Jeff presented this idea to her. Detective Doyle took the longest to convince of the murder. He looked at Jeff as a very lonely bored man. He was bound by the law and did not feel that there was enough evidence to support the idea of murder. At one point in the film I believed that Detective Doyle was in on the murder and it was a conspiracy. The turning point in the film for me was when the neighbors dog was killed. At that moment I knew that there was something in the flower garden and the dog was digging too
Lou Ann had a very unstable and shaky relationship with her ex-husband, Angel. They were not happy together towards the end of their marriage, thus causing the divorce. Lou Ann grew up wanting a very traditional household where the man in the relationship provided for the family and was the main source of income. The way she saw it was what we would call “the American dream”. Then, there is Taylor; a woman of individuality and of a free spirit.
In the beginning of Rear Window, Lisa Fremont is introduced during a conversation between L.B. “Jeff” Jefferies and his nurse Stella. Throughout this conversation, Jefferies describes his girlfriend Lisa as being “too perfect, she’s too talented, she’s too beautiful, she’s too sophisticated, she’s too everything but what I want” (Rear Window). While this description of Lisa gives the viewers a preconceived impression about Lisa and that she is just not the one for Jefferies, due to a lack of spontaneity and being adventurous, it is not true. The reality of it is that Lisa is a financially stable, hardworking, and fashionable woman that does not need a man to survive. Lisa is strong and independent and is a true symbol of feminism. Hitchcock was very aware of the impact Lisa would have, especially in 1954 when the film was made, and had “Lisa parade around in the latest fashions not only for the sake of her elegance (though that was important to him) but to bring out certain cruel and immature tendencies in Jeff, who is afraid of committing to Lisa and who rationalizes his fear by attacks on her style and way of expressing herself” (Fawell). Even though Lisa is more than a compatible match for Jefferies, and he refuses to see so, Lisa confronts the lack of faith Jefferies has in her and sets out to prove him wrong, just as a true feminist would do.
The two serial killers shared similar childhood traits. They both experience abnormal things in their early life. Jeffery was born into a beautiful family, but after getting surgery for two hernias he became different. Especially after his baby brother was born he became distant from
As nurses we know medical professionals more than ever are responsible for treating large diverse populations. Understanding cultural differences in various populations is crucial to produce positive outcomes. Nurses have a major role in health care promotion. Nurses should be treating the patient as a whole in mind, body, and spirit. This should be included in community treatment too. Individual, family, environment, and community assessments are necessary to provide the care and improve health care outcomes in the community as a whole. The World Health Organization’ s (WHO) definition of community is “a group of
In March 1982, The Atlantic magazine ran an article titled “Broken Windows” by George L. Kelling and James Q. Wilson. [1] The authors of this now famous article wrote, “Social psychologists and police officers agree that if a window in a building is broken and is left unrepaired, all the rest of the windows will soon be broken.” One broken window, left unrepaired, is a signal that the building is abandoned and that no one cares, so breaking more windows means nothing. The authors continue, “Vandalism can occur anywhere once communal barriers—the sense of mutual regard and the obligations of civility—are lowered by actions that seem to signal that ‘no one cares.’”
The opening scene in Alfred Hitchcock’s Rear Window essentially acts as one long establishing shot — only rather than establishing just the location of a scene, it establishes the entire film in more ways than one. One particularly important shot in the scene, beginning 00:02:36 into the film, tells the audience much of what it will need to know about Rear Window’s setting, characters, and themes.
CERTIFICATE OF ORIGINALITY: I certify that the attached paper is my original work and has not previously been submitted by me or anyone else for any class. I further declare I have cited all sources from which I used language, ideas, and information, whether quoted verbatim or paraphrased, and that any assistance of any kind, which I received while producing this paper, has been acknowledged in the References section. I have obtained written permission from the copyright holder for any trademarked material, logos, or images from the Internet or other sources. I further agree that my name typed on the line
The majority of the film deals with the events occurring within the Thorwald apartment. In many ways the Thorwalds’ marriage parallels Lisa and Jeffries’ relationship, except with a reversal in gender. Lisa and Lars Thorwald, both mobile and healthy, strive to make their respective relationships work. Thorwald brings his wife dinner in bed decorated with a rose. She only laughs at this gesture. On the other side, Lisa cannot even gain Jeffries attention by sitting in his lap. Mrs. Thorwald and Jeffries, who are both physically restrained, only complain to their partners. The Thorwald apartment becomes of particular interest when Jeffries begins to suspect murder. He believes that Thorwald finally became so tired of his nagging wife that he butchered her with a knife and saw. After some time he even convinces Lisa of his accusation, which in turn adds another gazer to the rear window. This makes her more important to Jeffries in that he can now discuss what is going on with someone who will listen. She still does not obtain his full attention until she crosses over into the plot within the Thorwald apartment. When Lisa becomes the subject of the gaze, then, and only then, is Jeffries attracted to her.
According to Stanhope and Lancaster (2008) defines a community as: “A social group determined by geographic boundaries and/or common values and interests. Its members know and interact with one another. It functions within a particular social structure and exhibits and creates norms, values, and social institutions” (World Health Organization [WHO], 1974, pg. 7).
Could humiliation and pain come from something as simple as a glass in a wooden frame? Throughout the novel, My Name Is Asher Lev by Chiam Potok, much of inner characters are revealed through the symbol of the window. The mother, the father, and Asher all face many struggles and the use of the window helps one to understand them.
In the movie, Rear Window, Alfred Hitchcock uses the story of a cripple free lance photographer, Jeff Jeffries, to explain the twisted sense of society in the 1950’s. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.
Jefferies claims that Lisa is “just not the right girl for [him]” because she is too committed to high society and materialistic for him. Jefferies barely acknowledges her and focuses most of his attention on watching the neighbors' apartments specifically the Thorwalds. She is unable to divert his attention from the window even with the most forward flirtations. It is not until she puts herself on the other side and into the movie that he becomes interested in her. Lisa finally becomes the subject of his gaze and only then does Jeffries show any sexual attraction towards her. Near the end of the movie when Lisa breaks into Thorwald's apartment, Jeffries does not see the same Lisa he saw when she stood by him and sat in his lap. This dangerous act of bravery and courage proves to Jefferies that she is capable of more than he previously thought. By exposing her willingness to take risks he sees that there is more to her than high society and fashion. He now looks upon a guilty intruder exposed by a dangerous man threatening her with punishment Mulvey 207 . He is aroused by this new spontaneous side of her. From this scene we see that Lisa Freemont cannot become a part of the movie until she becomes a character in the movie within the movie. This creates a new perception of Lisa
Close to the end of the movie, she enters his line of vision by going opposite to the Thorwald's apartment, and becomes the point of focus for his sexual interest, giving him the chance to save her and emerge heroic. Seeing her through his lens has made Jeff reconsider his opinions on marital bliss and the adventurous side of her proves that he has a future with her.
The broken windows theory is a criminological theory that if a neighborhood looks rotten then the more trouble it welcomes. In 1982, George L. Kelling and James Q. Wilson released an article focusing on the importance of the disorder. This theory is strongly attached to the African- American community. An area that shows a low population of existences states that fear or crime related situations caused the massive egress of residents. The lack of people to care for a community results into buildings looking forgotten. Therefore, broken windows appearance is a great way for convicts to hide because no one would go near a place that comes into view as spine-chilling. In additions, this produces a high risk of anxiety for African -American males believe that any moment a police officer can stop, question, and frisk them out of anticipation.
I could feel the cold brisk air brushing up against my skin as I ventured through the darkness in this vacant parking lot on a dreary Sunday night in November. I could see a car in the distance and began to approach it. The car appeared to be an old rusted out vehicle with extremely tinted windows that were dark like death. As I looked inside the vehicle I noticed that the car was as clean as a crystal. Not a speck of dust could be found on the interior and the floor mats were completely spotless. It was as if the vehicle had never been driven before. I then put my hand on the door and proceeded to step inside of the vehicle. As I did so I felt a sensation through my whole body that made me tingle. It was an unwelcoming sensation as if I was entering a whole new world. As I sat down there's was a smell, a sheer clean smell similar to that of a fresh load of laundry. Goosebumps came about all over my body as adrenaline rushed through my veins. I put my hands on the steering wheel and my mind took me into another dimension. Taking a glance in the rearview mirror I could see a mysterious person approaching the vehicle. As I examined the person I came to the conclusion that this must be the owner of the vehicle. I noticed they were dressed in all black and carrying what seemed to be a grocery bag of some sort. In panic, I got out of the car and looked at what appeared to be a male figure. The man was very masculine and tall. His mere presence was enough to strike fear into