Artist Investigation Possessions and Obsessions Del Kathryn Barton Due: 14th Friday, 2015 By Amberley SparkesDel Kathryn Barton was born to two teachers in 1972, Sydney, New South Wales. She grew up on a hobby-style goat farm, obsessed with drawing from a young age. Barton suffered a cacophony of psychotic disorders, nothing of which doctors could officially diagnose. She escaped her reality of mental instability by emerging herself in drawing and arts. Barton went through several periods of “self loathing” and eating disorders, of which are reflected in many of Barton’s pieces. Barton explores ideas of femininity, exploring and understanding the female body and the stigmas associated with children and sexual representations …show more content…
The woman is displayed from waist up in the central position on the canvas. She appears to be nude, her left breast exposed. Her face is upturned, gazing at something above the top of the composition. Her eyes are large and glassy; reflective pools. Her skin is clear and pale, a sign of youth and beauty. Her lips are slightly parted, and they are full and soft red in colour. The kitten looks up, at the same object as the woman. It has grey fur, red/pink rimmed eyes, ears and claws. The kitten digs it’s claws into the hand of the woman, which she holds beside her chest, cupping her hand, palm up. The kitten rests against her chest and grasps her hand, suggesting a bond or relationship between the two. The kitten appears to suffer from heterochromia. It has two different coloured eyes, one a golden yellow colour and the other, a deep blue. Milk appears to be seeping from the woman’s breasts, dripping from her nipple and flowing down her chest. Breast feeding is a symbol of a bond between mother and child, the fundamental and basic apparatus to sustain …show more content…
This particular artwork could be interpreted as symbolic for identifying a future for sexual freedom of women; women being able to discuss themselves sexually, accept who they are and their individual beauty and the freedom to express female sexuality art, removing the stigma The woman, with her glassy and impassive eyes, gives the impression of reflection to the audience. Her eyes are blue; her pupils dark and the irises are fusion of pastel and mellow blues. The colour blue also has connotations; either interpreted as a surreal and calming colour, or a miserable and saddening colour. The combination of the reflective surface and the colour blue, seems to be a statement of contemplation on the sad and disturbing mistreatment and abuse of female sexuality in contemporary art. The kitten also has symbolic uses, adding to the message conveyed by Barton. Cats, historically are represented as intuitive and independent. Freely expressing themselves and not relying on other for comfort. With the kitten in Barton’s image, desperately clawing at the woman’s hand, and the woman holding the kitten close to her chest, it signifies the urgent attempt for the woman, or women in general, to pertain to sexual
poked out by the narrator is symbolic of the narrator not wanting the cat to get a clear perception of his evil heart. Then suddenly on one morning the narrator hung black cat one by a noose from a tree. The hanging of the first black cat is symbolic of the narrator’s
Firstly, the two main characters in this story, Kitty and Stew, are crucial elements of the story to present its theme. When Kitty was a child, her and Stew were intimate. She would laugh at her father's jokes about playing with the hairs of his nose. (Gaitskill, 290) This
Debbie Allen was born to Vivian Ayers and Arthur Allen on January 16, 1950. At age three she started dancing and at age four she knew she wanted to be a professional dancer. Her parents divorced in 1957, and her mother was Debbie and her siblings were encouraged to be creative and independent. In 1960, Vivian Ayers took her children to Mexico. When they came back to Texas, Debbie auditioned for the Houston Ballet School but was denied because the color of her skin. A Russian teacher at the school saw Debbie perform and secretly enrolled her. When she was sixteen, she auditioned for the North Carolina School of the Arts but was rejected because her body was “unsuited” for ballet. While she was in high school she put her studies first and went
Also, Kitty has a disease called Usher Syndrome. Before reading this book I had never heard of it, and thus never realized how common it really is. This disease takes away two vital senses; hearing and vision. Kitty really opens up about her fears about losing her sight. The idea of total isolation is scary, without a doubt, and in my opinion she handles it with more courage than I could have ever imagined. Sign language is visual, and once Kitty loses her ability to see it will be very difficult to communicate with her family, and nearly impossible to communicate with hearing people who she most of the time needs an interpreter to communicate with anyways.
I believe that the cat was the only thing that showed her love and attention. Her only son, had a family of his own, her grandchildren were older now, and she felt like she was not important to them anymore, and the children?s mother was involved with the baby. By bringing the cat, she felt like she would not be lonely. The reader can also tell that the woman is extremely prejudice. She refers to the black child as a ?cute little pickaninny? and a nigger.
Did you know there was a young woman that was a nurse in the battlefield? Her name was Clara Barton.she was born December 25 1821 and died on April 12 1821.Sins a child Clara devoted her life for others and always was nice.And when Clara was done teaching some men would ask her if she wanted to marry them but Clara said no to all of them because she was independent.
Clara Barton was born on December 25, 1821 in Massachusetts. She was born into a family of four, two brothers and two sisters. Her parents were Stephan and Sarah Barton, a militia man and a home maker. Stephan was a non-commissioned officer in the French and Indian Wars, which made his soilder habits and tastes hard to dismiss. He had a love for horses and became one of the first to introduce blooded stocks, with large lands in England, he raised his own colts and highlanders. He told Clara many war stories, he even drew maps, made models of battles and explained war strategies. Some of her first memories are of thunder storm which looked like a whole heaven full of angry rams , marching down upon her.1
Clara Barton's real name is “Clarissa Harlowe Barton.” I chose her is because she is a very strong and independent woman, especially for her time period. She saved many lives and risked her own in doing so. She would go through the battlefields to help save wounded soldiers. At the same time of being strong she was loving and kind. She tried to save lives and she helped to find 22,000 soldiers who were marked “missing.” She would even write down messages soldiers wished to their families. She took charge on the battlefield and was extremely brave.
The main focus of the painting intended by Titian is a nude woman, Venus, looking straightforwardly at the audience. The young woman’s nipples are erect; with her left hand covers her pubic area, the sexuality of this painting is unquestionable. She is completely naked except for the ring on her little finger and the bracelet around her wrist. It is clear that the intention of this painting is to evoke sensual feelings in its audience.
“Beneath My House” by Louise Erdrich, is a literary essay with an expressive approach. Erdrich narrates the day she rescues a kitten from beneath her house, despite the fact that she does not even like cats. Her maternal instincts take over when she hears the kitten cry, which causes her to do whatever it takes to rescue the kitten. Then, the author analyzes the event and she expresses her emotional response. Through the use of description and narration, Erdrich allows for the audience to imagine the rescue of the kitten “beneath her house.” The overall theme is the act of being born.
In chapter five, the cat represents Zeena. In the chapter, Ethan and Mattie is alone while Zeena is away visiting a doctor in another town. Mattie attempts
This trait of a submissive female is reversed within Rrap’s exhibition; Persona and Shadow: Puberty 1984. This piece is an appropriation and deconstruction of Edvard Munch’s work; Puberty 1894 which
Since Georgia O’Keeffe defines Albert Stieglitz as this woman artist’s source of talent, it also derives how her painting should be interpreted from him. Both fictionalized and real Mr. Stieglitz perceive O’Keeffe’s art in the same manner, which is in psycho-analytic terms. As a result, Georgia O’Keeffe’s paintings are understood as being interconnected with her gender. In the television film, Stieglitz makes one critic declare, “Her great, painful, ecstatic climaxes makes us, at last, to know that when women feel strongly, they feel through the womb. They paint through the womb. Images of O’Keeffe’s flower paintings are presented alongside art critics’ comments like this and reinforces the concept that they illustrate the female genitals.
During the very beginning of the story, the author is playing in the woods near the end of her street when she finds the kitten. The kitten is covered in leaves and twigs, and yellow boogers are coming out of its eyes. She is glad that the kids she plays with are not there, because sometimes they can be mean. When the kitten makes a pitiful noise, she is very reassuring to it and says, “Don’t worry.” “Everything will be okay.” She shows the trait of caring by comforting the sickly kitten. She strokes its scabby head until the meowing is replaced by faint purrs.
Artist and people viewing the art work have always had a fascination with the female nude. Even when I was a child my attention was captured by the nude art not because I was a kid and I saw a nude lady , but it forced me to wonder more about why the female nude was so amazing as a tool for art and why this is repeated so many times throughout the centuries. One female nude painting in particular was the subject of controversy and exposed the syncretism and or the power of the female nude painting.