Clancy of the Overflow vs in Town by Dyson

The Australian Indigenous community hold extremely significant corrections to the land of Australia, of which they refer to as ‘Country.’ Indigenous people acquire deep meaning from the land, sea and the countless resources derived from them. This special relationship has formed for many centuries. To them ‘Country’ is paramount for overall wellbeing; the strong, significant, spiritual bonds embody their entire existence. Knowledge is continually passed down to create an unbroken connection of past,

Edward Ned Kelly was Australia’s most famous bushranger; regarded by many as a hero who fought “for the rights of the battler.” Whether Ned Kelly was a hero, however, has been debated throughout Australia’s history. Evidence shows that Ned was a murderous villain who terrorised towns and robbed wealthy pastoralists; a man who broke the law and committed an array of crimes that were both evil and immoral. Ned Kelly was a villain; an outlaw and thief who is wrongly immortalised as an Australian hero.

Bush poetry gives people a unique and interesting prospective into the people who made this country the way it is today and the history behind it. Clancy of the Overflow is a well known bush poem by poet AB “Banjo” Paterson. Clancy of the overflow is about a person from the city who met a drover/ shearer named Clancy. After meeting him he becomes jealous of Clancy’s lifestyle which is better than his city life. In this poem Banjo uses a variety of poetic devices to get his message across like the use of suggestive language, descriptive language and imagery.

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

Bruce Dawe uses expressive language features to show the harshness of his poem. Dawe uses a variety of descriptive words to express his opinion,

Dorothea Mackellar’s ‘My Country’ is a poem expressing Mackellar’s deep passion and love for her country, Australia. The whole poem’s intention seems to evoke the sense of praising for the country and express Mackellar’s deep relationship and passion with her land. Mackellar attains this response from the audience by using numerous language techniques such as; Juxtaposition, personification, sound patterns including alliteration and assonance, imagery, and paradox. The use of first person throughout the whole poem suggests that the theme of this poem has been evoked by personal experience.

Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.

Australia... land of the sun, beaches and kangaroo’s, known for being a free and multicultural country accepting you, no matter whom you are... or so we thought. Kevin Gilbert’s insightful poem ‘The New True Anthem’ tries to uncover the faults hidden under Australia’s picturesque surface. It depicts an Aboriginals’ view of Australia, comparing images of Australia to the harsh reality that the author feels is happening in this country. The destruction of the environment and the poor treatment of Aboriginal people are common themes that can be seen throughout the poem which contrast ideas about Australia such as natural beauty and freedom.

The notion of the contemporary indigenous identity and the impact of these notions are both explored in texts that have been studied. Ivan Sen’s 2002 film ‘Beneath Clouds’ focuses on the stereotypical behaviours of Indigenous Australians highlighting Lina and Vaughn’s journey. This also signifies the status and place of the Australian identity today. Through the use of visual techniques and stereotypes the ideas that the Indigenous are uneducated, involved in crime and the stereotypical portrayal of white people are all explored. Similarly the notion of urban and rural life is represented in Kennith Slessor’s ‘William Street’ and ‘Country Towns’.

Australia is a young, modern country made up of a diverse and multicultural population, therefore, it’s difficult to say that it has a single national identity. This essay will examine what Australia’s identity may look like, specifically, through art.

There are many diverse interpretations of the words “Australian Identity”. The national anthem, as evidenced in Stand Up, is a primarily white interpretation of Australia and the Australian identity, with many of the lines ignoring the Indigenous people of Australia (Perkins et al, 2012). Another form of the “Australian Identity” was one presented by Prime Minister Paul Keating in his Redfern Address in 1992. He proclaimed that “Australia is a first-rate social democracy…truly the land of the fair go and the better chance”. This idea presented represents an egalitarian society, where every single human has an equal opportunity at life. Yet another, shown in the songs Paul Kelly sang, but especially in “this land is mine” is the difference between the identity of Indigenous Australians and non-Indigenous Australians (Kelly et al, 2001). Each of these texts addressed a major issue. Stand Up compared the relative value of tradition and the right to freedom of expression. Keating’s speech expressed the need for justice and recognition of both the stolen generation and the injustices done to the Indigenous people as a whole. Kelly’s songs represent the importance of the land to Indigenous people and why the “returning of the land” is so important. Although they each mentioned a major issue, the texts all gave solutions to these issues, from reiterating the importance of the basic human right of freedom of speech in Stand Up, to explaining the role and qualities of the Aboriginal

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

Paterson’s other purpose of this text is to promote nationalism amongst Australian men, persuading them to enlist. He deliberately emphasises on how everyone in Australia is an Australian, through this line ‘English, Scotch, and Irish-bred, They're all Australians now!’ This would make everyone at the time feel obliged to join.

Australian’s have a unique proud culture. This culture differentiates them from the British motherland. Through many decades Australia has formed a unique, which at its foundation is made from mateship. Mateship or friendship is the core of Australian identity as this was instilled into them through events such as war. WWII in particular demonstrates the level of mateship shown by Australians as many made the ultimate sacrifice in order to save a mate. The stories of ‘The Magic Pudding’ by Gary Crew & Shaun Tan and ‘Memorial’ by Norman Lindsay will demonstrate how mateship is a significant part of how Australians see

The construction of Aboriginality in Australia has been achieved through a variety of processes, in various places and at various levels of society, giving rise to a complex interaction between the constructions. At the local level, the most striking line of tension may seem to lie between what Aboriginal people say about themselves and what others say about them. But crosscutting this is another field of tension between the ideas of Aboriginality (and non-Aboriginality) that people of all kinds construct and reproduce for themselves, and the constructions produced at the national level by the state in its various manifestations, the mass media, science, the arts and so on (Beckett, 1988).