Catcher In The Rye Analytical Essay

Holden's constantly telling that he is different from everyone else, who he defines as "phonies", wearing his hunting cap to make him standout in society, and inability to make a social contact with a Jane Gallagher, who he constantly brings up, are just a few lucid examples of his self-alienation of society. Holden feels and uses this alienation to protect himself from the harshness of society is this constant defense mechanism eventually leads to his

In the beginning of Catcher in the Rye, Holden was extremely selfish and didn’t ever consider other people’s opinions and how they might feel. As the story has gone he has continued to move along he has failed to realize that not all people are phony and mean. He goes on the date and as they are going in to a cab he thinks, “I sort of hated old Sally by the time we got into the cab, after listening to phony Andover bastard for about ten hours” (140). Holden is trying to be friends with Sally, but realizes that it’s not going over well. Holden is beginning to realize that the people he is trying to be friends with are not working out for him because he does not allow himself to blend with people. He is getting himself deeper into isolation and

Imagine a person constantly lying to get through the world, lying to themselves just to keep themselves in a relatively good state of mind. But they don’t always realize it. Throughout the novel Catcher in the Rye, Holden, the narrator if the story, is one of those people. Holden will often believe that what he says is honest, but as the story progresses, readers can tell that not all that he mentions is all true. In J.D.Salinger’s Catcher in the Rye, Holden’s lies are to protect himself and others and keep himself out the wrong because he is worried about his own survival.

Holden’s immaturity causes him many problems throughout the story. Although he is physically mature, he acts more like a child. “All of a sudden I

Throughout the novel, Holden attempts to find the true from of himself as he struggles with the social interactions around him. Due to the struggle and confusion that arouses from it,

This character is going to tell it like it is, and he does. The most powerful emotional standpoint in the story is when Holden goes to his sister’s elementary school to deliver her a note. While he is there, he discovers two words scribbled on the wall. “Fuck you.” Most people would look at that and think nothing of it. Some would bow their heads in shame at the person who thought it was funny. Others might laugh. Not Holden. He did not think about the normal persons response to the note. He thought about the child’s response. About how a little kid is going to see that seemingly meaningless phrase and wonder what it means; about how some dirty kid would explain what it meant; and about the person who wrote it and how they are destroying the childhood of everyone who reads the ‘harmless’ graffiti. This section takes the reader to the door of Holden’s mind. It is at this point that one truly understands his emotions.

Holden’s mood changed from being down and negative to being calm and peaceful. Phoebe is initially glad at his return, but

Much later in the book, Holden meets up with an old friend, Carl Luce, to catch up on each other’s lives. Holden attempts to talk with him about sex because it’s the only thing they did talk about when they both went to Whooton, which Holden flunked out of a few years back. Holden tries to connect with Luce by talking about their sex lives and how Holden wants it to be like anything Luce is talking about, but he ends up disappointing Luce into the expectation that he has grown. He reminds him of what Holden needed last time they saw each other, and Holden remembers: “‘You mean go to a psychoanalyst and all?’ I said … ‘What would he do to me? I mean that would he do to me?’ ‘He wouldn’t do a goddam thing to you He’d simply talk to you, and you’d talk to him, for God’s sake. For one thing, he’d help recognize the patterns of your mind.’ … Old Luce. He was strictly a pain in the ass …” (Salinger 192-193). Holden once again shows a lack of wanting to accept and listen to people who are trying to give him advice. He doesn’t want to go to a psychoanalyst and be told what is wrong with him because he cannot accept the painful truth that he is not able to grow up and change how he is, which Luce did do. When Holden says to himself “He was strictly a pain in the ass”, he shows that he doesn’t care what Luce had to say to help Holden. He only cared about staying the way he is and

            Holden is quite skilled at citing exactly what is wrong with other people.  However he never acknowledges his own faults.  He was sure the entire world was out of step with him.  As Alan Stewart explains, ?Holden seemed to divide the world into two groups.  He was in one group, along with a few other people such as his little sister, Phoebe, and

The tone or attitude in which Holden speaks is based on sarcasm and rudeness which shapes him as a character. He uses sarcasm throughout the book such as on page 71. He says, “I told her, ‘you’re really lucky. You know that?’ She was a real moron. But what a dancer” (71). Here, Holden is being very sarcastic and rude with this girl which forms Holden into his character. His tone towards the world and to the people in it is just careless because he doesn’t care about being nice to anyone. He continues to act this way, even to people that matter, such as on page 13, he says, “You mean about my flunking out of Pencey and all? ‘ I said. I sort of wished he’d cover up his bumpy chest. It wasn’t such a beautiful view” (13). Mr. Spencer is one of Holden’s teachers at Pencey and he doesn’t appreciate that at all. When Mr. Spencer is being sincere towards him, all Holden can think about is the fact that Mr. Spencer’s chest is “bumpy”. This truly defines Holden as a character and what kind of person he is; a sarcastic and cynical individual, all shown through his tone of voice.

There is another lesson Holden had to learn. He needed to learn how to be satisfied with his company. He was always looking for someone to call or someone to talk to. When he finally did have some company, he did nothing but criticize them. For example, Sally Hayes went out with Holden, and throughout the entire time he complained and criticized her. He

Holden doesn't have many friends nor does he connect with a lot of people throughout the whole book he tries to talk to

He fantasizes what their sex life could have been like, but he is not mature enough to actually have one.

Holden also has several redeeming qualities that keep him from being the rouge that many censors and critics wanted to label him in the fifties. As mentioned previously, Holden feels deeply for others and spends much of his time trying to understand them. For example, he admits to being a virgin and attributes this to the concern he has for the girls he is with; "he feels he would be taking advantage of their weakness if he had relations with them. " (Lettis, 6) "They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I take them home anyway." (Salinger, 121) He is also brutally honest, a quality children possess and adults seem to lose as they age. Holden dislikes things he

Holden is deathly afraid of conforming, growing up, and having to assimilate into the phony adult world. As a result he comes off as hypocritical as he is the most prominent phony in the novel. He constantly lies, refuses to connect with others and overlooks his own pain, letting it deeply impact his life. Holden is a compulsive liar; he does not have one honest conversation with anyone except his sister and Jane for the duration of the novel. When he is on the train with Mrs. Morrow, for instance, he claims his name is Rudolf Schmidt and preaches about what an amazing guy her son is, even though he is “the biggest bastard that ever went to Pencey, in the whole crumby history of the school.” (61) This shows that Holden falls victim to the same social conventions as everyone else. He says exactly what Mrs. Morrow wants to hear, despite the fact that he