Answer each question thoroughly and completely. Each question is worth up to 5 points, and the complete assignment is worth up to 30 points.
1. The first task will be to introduce yourself and let me know what your background is in music and online learning. Give your name, if you play (or have played) an instrument or sing, and if you've ever taken an online class.
Answer:
My name is Huy Huynh and this is the third year of me in Golden West College. I have not had a chance to take choir nor any music-related classes before so my knowledge about music is not as wise, but I really like to listen to music and I'd love to know more and learn about the development of music. I have taken online classes before and I know that it
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However, many female singers, such as Mariah Carey, do employ falsetto to extend their range.
Whistle: The physiology of the whistle register is the most poorly understood of the vocal registers. It is known that when producing pitches in this register vibration occurs only in some anterior portion of the vocal folds. This shorter vibrating length naturally allows for easier production of high pitches. The physiological process that causes this is not currently known.
Though the whistle register is most commonly used to produce pitches above E6, it can be used to produce lower pitches. By the physiological definition just detailed, it is a configuration of the vocal folds and not a range of pitches. There is, however, no universally agreed upon scheme for classifying vocal registers, so it is common to see other definitions. See the article on vocal registration for a discussion.
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In the European classical music, the whistle register is only rarely called for. When it is, it is exclusively used by coloratura sopranos to produce pitches above C6. Probably the most well-known example of the whistle register in European classical music is the aria "Der Hölle Rache kocht in meinem Herzen" from the opera Die Zauberflöte; it calls for several pitches above C6, up to F6.
In the popular music of the West, the whistle register is used more often than in its classical music. It is used with more variety and to produce much higher
The vocal note produced by the vibrations of the vocal folds is complex and made up of periodic (regular and repetitive) and aperiodic (irregular and non-repetitive) sound waves. The aperiodic waves are random noise introduced into the vocal signal owing to irregular or asymmetric adduction (closing) of the vocal folds. Noise impairs the clarity of the vocal note and too much noise is perceived as hoarseness.
Women’s music came from radical, grassroots origins in the 1970s thanks to contributions by brave women, mostly lesbians (Mosbacher, 2002). These women used non-violent, peaceful force to forge their own way into the music industry. It was a peaceful yet political revolution of togetherness and liberation. It brought together women of different backgrounds who produced easy-listening, mellow harmonies played with lyrics filled with tumultuous
The Trumpet Shall Sound’s genre is simply classical music
- At the Musipire Professional Music Education School, I have received instruction in classical piano (10 years), guitar (2 years), and classical voice (2 years).
Pitch of voice – making sure you pitch is right for the level of conversation and the service user you are talking too. Speaking in a low voice can be calming and soothing, but too low and you can sound boring. On the other hand a high pitch can sound shrill and be unpleasant to listen to
After reading the course resources, answer questions 1-10. (10 points each) Please take time to answer each question completely.
He also formed strategies such as whistling melodies by “popular classical composers”, comparing it to “the cowbell that hikers wear when they know they are in bear country”
Answer each question, using complete sentences. When you have finished, submit this assignment to your teacher by the due date for full credit.
Answer each problem thoroughly. Each problem is worth 10 points. Make sure to provide detailed explanations for each part of each problem.
For a direct comparison, This paper will analysis Giovanni Pierluigi da Palestrina’s Quam pulchra es. Palestrina’s Quam pulchra es is a five-part arrangement. The voices are as follows from Highest to lowest: Cantus, Altus, Quintus, Tenor and Bassus. The Cantus has a range of F-65 to G-79. The Altus has a range of Bb-58 to C-72. The Quintus has a range of A-57 to C-72. The Tenor has a range of F-65 to B-82. Lastly, the Bassus has a range of Bb-46 to C-60. The entire composition has a three-octave range. Figure
Counterpoint, according to the Encyclopedia Britannica, is the “art of combining different melodic lines in a musical composition. It is among the characteristic elements of Western musical practice” (Jackson). Counterpoint is very prevalent in Western music, from around the Renaissance Era to modern times, and has been common practice until the twentieth century (“Counterpoint”). From the Renaissance era to the Classical era, counterpoint has had the same general principles and structures, been utilized by great composers, such as Bach, Mozart, and Beethoven, and resulted in some of the most beautiful music.
The Voices is directed by Marjane Satrapi and written by Michael R. Perry released in 2015. The movie was focusing on the importance of mental illness, crime and even romance. It touches comedy to horror. There were mixed reviews in the public getting both good and bad reception.
This assignment has a maximum total of 100 marks and is worth 10% of your total grade for this course. You should complete it after completing your course work for Units 1 through 5. Answer each question clearly and concisely.
When trying to form the “K” sound the tongue goes up to the soft palate. Air is then pulled up through the vocal cords and then the tongue can return down so that air can be released. This creates the unvoiced sound “K” which means you can only hear it when the air is being released.
Voice cannot be produced in a traditional way as vocal folds are removed. (Mohebati & Shah, 2010)