Cinema is a full-fledged art form, and its expressive boundaries are defined solely by the talent and skill of creators. Genre, style and everything else are secondary to the creative mind. Just like with any other art form, I humbly learn with the best artisans without labeling their artistic fluidity. My relationship with labels is complex. There are good and bad movies in every popular genre, but none speaks to me more than the others. I always love a good neo-noir; the fleshed-out aesthetics, the off-beat attitude, the fine acting and the cinematic vision that erects such cohesive beauty are simply addicting. L.A. Confidential (Curtis Hanson, 1997), Thief (James Caan, 1981), Sin City (some crazy trio, 2005) or even Blade Runner (Ridley Scott, 1982) come to mind. …show more content…
North by Northwest (Hitchcock, 1959) is a rare masterpiece in this category. A special mention to Mad Max: Fury Road is due. Accomplished dramas can be more griping, terrifying or tragic than any action, adventure, war or horror movie. A Brighter Summer Day (Edward Yang, 1991) or Picnic at Hanging Rock (Peter Weir, 1975) gave me some of the most spine-chilling moments I ever experienced in cinema. But if I have to declare a single variety of cinema as a favorite, "cinéma d'auteur" is my pick. It hardly defines a concrete genre, but this is where fine artists typically forge their own distinctive genres or vocabularies. These offer the most authentic, enriching and indescribable experiences. Andrei Tarkovsky and David Lynch exemplify
Most classical Hollywood narration films are easily categorized, but Pulp Fiction proves to be one-of-a-kind and even goes on to inspire other genre-breaking films in the
Films are a large part of our lives here in America where we depend on them to do when we’re bored with nothing to do, or when the snow or rain is falling. We all use movies as a common way to go on dates and be with friends. However, there has become an abundance amount of movies that we can all enjoy throughout our lives. Although not all movies are interesting to all viewers depending on their personality and what they like to watch. I can say for myself that a film that I really enjoy would be “Mean Girls”. In the two thousand four film “Mean Girls” there is a sense of entertainment that helps in combining all the aspects found in a classical film. Classical films having a entertaining and dramatic plot, and a excellent cast.
‘The word genre means ‘type’ or ‘category’’ (Teach yourself film studies) it is really important as an audience member to recognise genres as then things become categorised and easier for them to understand which is more comforting. Sometimes however genres are crossed and categories are broken for example sometimes we have ‘action thrillers’ or ‘sci-fi horrors’ this is known as a hybrid genre. This often intrigues the audience and draws them to the film as it changes their outlook as they have no expectations for the film as they have never been exposed to this genre before.
Film is my passion. I thoroughly enjoy watching and analyzing movies - finding the pros and cons. In film there are many different pieces that have to go together in order to make a movie work including: cinematography, the actual image and how it is displayed; sound, the score, sound effects and overall how clear it is to understand what actors are saying; the editing, how all the individual clips are put together; and dialogue and story, what the actors are saying and what the movie is about. A bad movie probably has done most of these poorly. A good movie may be lacking in one of these departments. A great movie has all bases covered, however, there are exceptions on this depending on personal preference. Some movies might end up being controversial. Some may love it. Same may hate it. But one must still appreciate a movie for all the hard work and effort that has been poured into it. My favourite example of a polarizing movie is Jared Hess’ 2004 movie Napoleon Dynamite.
Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film
A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film. While films have at least one major genre, there are a number of films that are considered crossbreeds or hybrids with three or four coinciding genre or sub-genre types that they can be identified with them and most can be filed into categories that are easily recognizable to audiences (Goodykoontz & Jacobs, 1998, p. 4.1). However, ever so seldom a film comes along that breaks free of its invisible bounds of genre and it leaves the audiences confused about the actual existence of genre. One such film is a film that most are familiar with Steven Spielberg’s classic Saving Private Ryan.
Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.
Blade runner a 1982 noir science fiction film which in my opinion is one of my top ten sci-fi movies that I’ve watched with it’s astonishing effects that immediately catch the attention of the viewer and combined with the direction of the famous Ridley Scott it manages to bring a new point of view to the book where it was based from.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
There are three major standards through which I decide whether or not I will watch a film: reputation, and genre. Reputation is inclusive of friends and ratings of the film. Usually my friends and I have similar tastes and we are aroused or repulsed by the same films. Reputation is a strong and stable standard for deciding which film to go to, because with such a large population of movie watchers, major biases don't affect the reputation and ratings are fair and accurate. Also, people are inclined to give high ratings to movies that touch them or really make them think regardless
The producers will develop a test and the audience will tell the producers whether it is something they want to see or they are not going to see. This can affect the next text to be produced in an attempt to conform to the audience demands. Looking at the development of different types of genres and the development of films within the same genre, it’s possible to look at similarities and differences and identify changes in society and audience ideologies and tastes.
The movie I have chosen is The Book of Eli. This was a highly rated movie and made 157.1 million at the box office and won an award called the NAACP Image Award for Outstanding Actor in a Motion Picture. The movie is about a man named Eli played by Denzel Washington, we watch as Eli journeys across a waste land as a lone wolf. While watching the movie we see Eli walk across a ruined landscape. One review named Roger Ebert a well-known American film critic who passed away in 2013 states “It grips your attention, and then the end throws in several WTF! Moments, which are a bonus. They make everything in the entire movie impossible and incomprehensible—but, hey, WTF.” One thing comes to mind when I watched the movie The Book of Eli after reading The War of the
Every so often a movie is released with such tense anticipation and glamorous visual art that the public is drawn to this dramatic rendition of life in the theatre. For even just two hours or so, you are put into a different lifestyle. Action, drama or comedy it may be. We are thrust into a different way of thinking. We are forced to learn the characters thoughts and feelings. The hard work and artistic skill that goes into these magnificent films is not an easy thing to mimic. Out of the thousands of movies released worldwide each year only a handful are truly worthy of the label film art. Most of the great movies are either produced by a multi million dollar
According to film theorist Thomas Schatz, “a genre approach (to film) provides the most effective means for understanding, analyzing, and appreciating the Hollywood cinema (Schatz vii).” His approach to film is strongly supported by theorist Edward Branigan’s and the narrative representation of character interaction (Branigan), and André Bazin’s arguments that the objective reality pressed against audience interpretation.
the films genre. The genre is a way for the audience to distinguish types of