Analytical Essay on "The Notebook" Film

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

“Insidious” is a 2010 horror movie centralizing around the lives of protagonists Renai (Rose Byrne) and her husband Josh (Patrick Wilson). The movie mainly focuses on the supernatural activity going on within the house, and it is later revealed that the cause of the hauntings is due to demons attempting to take over the body of their unconscious son, Dalton (Ty Simpkins).

The Notebook is one of my favorite love movies of all time. The reason I love this movie so much is because that main characters Noah and Allie go through so many trials and finally end up together in the end. This movie I feel shows me how strong their love for each other really was and I now feel as if it is meant to be it will always find a way. Looking at the movie as a reference to get a better understanding of how lifespan development works, I realized that most of the trials that Noah and Allie went though were part of stages of development. The theory of stages of development was created by Erik Erikson, he believes that we go though certain stages in our life and if we do not get passed them properly we will end up with

The movie The Notebook, directed by Nick Cassavetes and released on June 5th 2004, is a captivating love story, which takes place in the 1940’s. Through filmatic elements such as Cassavetes choices of cinematography, editing, narrative, mise en scene, sound and music, he creates an extremely believable story of two teenagers in the 1940’s who fell in love over the time span of one summer.

The Notebook, written by Nicolas Sparks, can be named one of the best American romantic novels. The book portrays every trait in a guy or girl would desire to have in a significant other. According to Nicolas Sparks, “it is a celebration of how passion can be ageless and timeless, tales that moves us to laughter and tears and makes us believe in true love all over again”.

Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the

In the movie The Notebook first released in 2004 that features actor Ryan Gosling and actress Rachel McAdams; Internet Movie DataBase (IMDB) best describes the plot by saying, “A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences” (IMBd). At the start of the movie, an elderly man begins to read a love story from his notebook to a female patient. The love story takes place in 1940. He tells the story how Allie and Noah fall in love over a summer. Then, her parents disapprove of her seeing Noah. The two get into an argument and then decide to break up. The next day Allie is forced to go without saying goodbye to him, she later starts school in New York. Although Noah seemed fine when he left that night, he was devastated and ends up writing Allie a letter each day for a year. She never received the letters because of her mother. Noah ends up going to battle in WWII and Allie becomes a nurse for wounded soldiers. She ends up meets a more wealthy young man who later she becomes engaged to. Later, Allie reads in a

Throughout the history of filmmaking, many different genres have thrived such as the romantic comedy, giving us such classics as Bringing up Baby and His Girl Friday. The war film gave us All Quiet on the Western Front and Paths of

The producers will develop a test and the audience will tell the producers whether it is something they want to see or they are not going to see. This can affect the next text to be produced in an attempt to conform to the audience demands. Looking at the development of different types of genres and the development of films within the same genre, it’s possible to look at similarities and differences and identify changes in society and audience ideologies and tastes.

Ryan Gosling and Rachel McAdams are both incredibly actors and played had acceptation performances in the movie. This movie being Ryan Goslings most successful film is a well deserving award. During the iconic passionate scene at the end of the movie where Noah say’s to Allie “Stop thinning about what I want, what he wants, what your parents want. What do you want? What do you want! What do you want?” Gosling actually improved the line. He was so devoted and invested in the role that the words just came to him in the heat of the moment.

During the “golden age” from the early 1930s to the 1950s, the studio system employed a “producer-unit system” to make movies that would “value both profits and aesthetic value” (Barsam & Monahan, 2016, p. 469). With this manager and producer-heavy structure, standardization became possible in filmmaking which led to films with a “studio look,” meaning that movies, particularly from the major studios, had a “predictable technical quality, often at the cost of stylistic sameness” (Barsam & Monahan, 2016, p. 470).

The Notebook is a story and how this boy and this girl met lost each other and then one another again.

Film is nothing more than the collection of moving pictures, and these images go to great lengths to transport its audience to a different historical context, whether it is a different location or period or the combination of both. Very few films are successful without the presence of a backdrop. Cinematic architecture can be broken into many sensory components. Everything that is shown in front of the camera is enveloped by the mise-en-scène. Architecture and its presence in the compositional scene is a make-up of several visual components. These include forms, lines, masses and negative space. Each speaks their language and how they can be interpreted. For instances, masses carry a visual weight, whereas form implies spatial relationships. A visually aesthetic experience is projected. The sense of emotion and interpretation of the featured space is then projected into the scene using lighting, sound, and post-production editing. An individual’s interpretation of the space is determined by multiple inputs in a heightened sensory state. The atmosphere establishes a theme or character traits that are

This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful

Analysis of Film The Matrix The Matrix, released at Easter in 1999, is both a piece of cinematic entertainment and a film portraying religious and philosophical allegories. The Matrix can therefore be viewed from two different perspectives; purely as an action film or instead on a deeper level, exploring the more insidious values hidden in the plot.